Memphis-based alto saxophonist offers limited recordings. An excellent exponent of Charlie Parker’s design, he’s the southern exact carbon copy of Frank Foster.
Read More »Memphis-based alto saxophonist offers limited recordings. An excellent exponent of Charlie Parker’s design, he’s the southern exact carbon copy of Frank Foster.
Read More »Alto saxophonist York is a logical expansion of Charlie Parker but nearer to Bobby Watson. This phenomenal flutist also performs tenor. A increasing star to view.
Read More »This veteran Detroit saxophonist plays alto and tenor. A soft, lyrical, and melodic participant somewhat just like Johnny Hodges and Paul Desmond, he excels in small-group configurations. In addition to numerous recordings being a sideman, Benson provides released Swings & Swings & Swings (1986, Parkwood) and Sax Get better at …
Read More »In straight-ahead jazz circles, indigenous New Yorker Dave Glasser could very well be most widely known for his extensive are a sideman for veteran trumpeter/flügelhornist Clark Terry. The alto saxophonist (who must not be baffled with engineer David Glasser or traditional clarinetist David Glazer) can be an unapologetic bebopper; his …
Read More »Ernie Henry accomplished a whole lot in a brief period of your time before loss of life prematurely. He previously his very own sound, although his design was clearly seriously affected by Charlie Parker. He worked well through the bop period with Tadd Dameron (1947), Fat Navarro, Charlie Ventura, Maximum …
Read More »Adam Moody was an organization in jazz through the late ’40s in to the 21st hundred years, whether on tenor, flute, occasional alto, or yodeling his method through his “Moody’s Disposition for Like.” After offering in the Atmosphere Power (1943-1946), he became a member of Dizzy Gillespie’s bebop orchestra and …
Read More »Alto saxophonist Gary Bartz attended the Juilliard Conservatory of Music and joined up with Charles Mingus’ Jazz Workshop from 1962-1964 where he caused Eric Dolphy and encountered McCoy Tyner for the very first time. He also started gigging being a sideman within the middle-’60s with Abbey Lincoln and Utmost Roach, …
Read More »Gigi Gryce was an excellent altoist in the 1950s, nonetheless it was his composing abilities (including composing the typical “Minority”) which were considered perhaps most obviously. After we were young in Hartford, CT, and their studies at the Boston Conservatory and in Paris, Gryce proved helpful in NY with Maximum …
Read More »Despite an amazingly colorful and challenging life, Artwork Pepper was quite consistent within the saving studios; just about any recording he produced is really worth buying. In the 1950s he was mostly of the altoists (alongside Lee Konitz and Paul Desmond) who was simply in a position to develop his …
Read More »Back the mid-’70s, when bebop had been greatly overshadowed simply by fusion, Richie Cole showed that not merely was bop not really old-fashioned, nonetheless it could possibly be quite fun. His Alto Madness was basically the proven fact that any tune, regardless of how improbable its source, could possibly be …
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