Home / Tag Archives: Folk-Rock (page 30)

Tag Archives: Folk-Rock

Winter Hours

Strongly influenced simply by early Buffalo Springfield, Bob Dylan, and Gene Clark-era Byrds, Winter Hours’ rootsy, aggressive style put them in clear contrast making use of their past due-’80s rock brethren. A quintet comprising Joseph Marques on vocals, Michael Carlucci on acoustic guitar, Bob Perry on guitars and vocals, Bob …

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Hedgehoppers Anonymous

Known originally because the Trendsetters, this five part was found out by producer Jonathan Ruler just because they transformed their name to Hedgehoppers, in mention of the actual fact that the complete band contains Royal Air Power pilots (whose reputation for low traveling, or “hedge-hopping,” was infamous). Ruler recommended the …

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The Turtles

Though many remember just their 1967 hit, “Happy Jointly,” the Turtles were one of the most enjoyable American pop sets of the ’60s, moving from folk-rock inspired with the Byrds to some sparkling fusion of Zombies-inspired chamber pop and straight-ahead, good-time pop similar to the Lovin’ Spoonful, the complete infused …

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Harriet Schock

Vocalist/songwriter Harriet Schock is most beneficial known for composing “Ain’t NO CHANCE to Treat a female,” Helen Reddy’s 1975 strike. In a profession that spans near 30 years, she’s recorded many albums, which had been critical successes otherwise bestsellers. She’s also worked like a songwriting trainer, both privately with USC. …

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Ya Ho Wa 13

In every of rock history, there may be few stranger stories than that of Yahowa 13, the mystical quasi-cult psychedelic rock-band that documented prolifically within the middle-’70s. Psychedelic enthusiasts know about Yahowa via their link with Sky Saxon from the Seed products, who sometimes sang with people of the group. …

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Barbara Massey

A soulful singer who crossed from rock and roll to jazz, Barbara Massey got her begin as a back-up singer for such performers as Jimi Hendrix, Kitty Stevens, and Herbie Hancock. In 1971, Massey combined up with jazz guitarist Ernie Calabria for the psychedelic spirit recording Prelude To…, including a …

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The Harbinger Complex

A garage music group from Fremont, CA, the Harbinger Organic are best remembered for his or her 1966 fuzz-punk basic “I BELIEVE I’m Straight down” (Brent 7056). The quintet devoted to lead vocalist Jim Hockstaff and his songwriting partner B. Hoyle III. Hockstaff’s Dionysian exploits — the siring of many …

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Michaelangelo

Little’s known concerning this group, despite the fact that their sole record, 1971’s One Tone of voice Many, arrived on a significant label, Columbia. Sounding similar to a record through the late ’60s compared to the early ’70s, its folk-rock-psychedelic mix was uncommon for prominently offering the autoharp of Angel …

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The Ill Wind

The psychedelic group Ill Blowing wind released just one single album, and although it had been for a reasonably big label (ABC), it had been indeed ill-distributed and heard by few at that time. Like a amount of past due-’60s rings from Boston, Sick Wind experienced having less a regular …

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Judy Dyble

Judy Dyble was the initial feminine singer in Fairport Convention, singing using the group from around middle-1967 to middle-1968, and showing up on their initial record and one. (She was in fact not in the 1st incarnation of Fairport Convention, which acquired no female performers, but joined just a few …

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