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Along with Cabaret Voltaire and Throbbing Gristle, Germany’s Einstürzende Neubauten (“collapsing brand-new buildings”) helped pioneer commercial music with an avant-garde mixture of white-noise guitar drones, vocals verging for the unlistenable sometimes, and a clanging, rhythmic din made by a percussion section comprising construction materials, power tools, and different metallic objects. …
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