Tag Archives: Douglas McCombs

Brokeback may be the name of Tortoise bassist Douglas McCombs’ part project. Pursuing two 7″ EPs, in 1999 he released the project’s 1st full-length, Field Recordings through the Cook County Drinking water Table, which exposed a slightly much less constricted version from the post-rock audio Tortoise had produced famous. Relying …

As an associate from the soulful, jazz-tinged pop combo the ocean and Cake and post-rock/fusion quintet Tortoise, John McEntire has helped build a few of the most exciting indie rock and roll of the later ’90s. Alongside manufacturer Jim O’Rourke, he became perhaps one of the most regularly popular collaborators …

Among the many criss-crossing collaborations between several ’90s U.S. indie rock and roll veterans, Pullman brought jointly Bundy K. Dark brown (Tortoise, Directions in Music, Loftus), Doug McCombs (Eleventh Fantasy Time, Tortoise, Brokeback), Chris Brokaw (Arrive, the New Season), and Curtis Harvey (Rex, Loftus). The people of Pullman got all …

A longtime mainstay from the Chicago indie music picture, drummer John Herndon boasts an extraordinarily eclectic and far-ranging discography, but remains best-known for his are an associate of post-rock innovators Tortoise. Created in 1966 in Very long Island, NY Herndon relocated to Planting season Creek, NEW YORK with his family …

Tortoise revolutionized American indie rock and roll within the mid-’90s by using straight down tried-and-true punk and rock and roll & roll affects, emphasizing instead the incorporation of a number of left-field music styles from the prior twenty years, including Krautrock, dub, avant-garde jazz, classical minimalism, ambient and space music, …

The career from the noisy guitar unit Eleventh Dream Day — probably one of the most resilient and criminally underappreciated bands to go up from your Midwestern underground community — was a textbook study in alt-rock endurance; despite a nightmarish major-label tenure, ill-timed roster adjustments, and industrial indifference, the group …

The For Carnation was a low-key, mostly acoustic automobile for ex-Slint/Squirrel Bait member Brian McMahan, whose previous tasks had all made their influence through jagged, noisy art-punk. Mirroring his previous bandmate David Grubbs’ progression with Gastr del Sol, McMahan continuing to explore the complicated, cerebral patterns which were his share …