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Tag Archives: Count Basie

Sammy Price

Sammy Cost had an extended and productive profession as a versatile blues and boogie-woogie-based pianist. He analyzed piano in Dallas and was a vocalist and dancer with Alphonso Trent’s music group during 1927-1930. In 1929, he documented one solitary part under the name of “Sammy Cost and His Four Quarters.” …

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Robert Lockwood, Jr.

Robert Lockwood, Jr., discovered his blues firsthand from an unimpeachable resource: the immortal Robert Johnson. Lockwood was with the capacity of conjuring in the bone-chilling Johnson audio whenever he preferred, but he was by no means someone to linger before for lengthy — which makes up about the jazzy golf …

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Lionel Hampton

Lionel Hampton was the initial jazz vibraphonist and was among the jazz giants from the mid-’30s. He offers achieved the hard feat to be musically open-minded (actually recording “Large Methods”) without changing his fundamental swing design. Hamp began like a drummer, using the Chicago Defender Newsboys’ Music group as a …

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Hugh Masekela

Hugh Masekela comes with an considerable jazz background and qualifications, but has enjoyed main success among the first leaders in the world fusion mode. Masekela’s lively trumpet and flügelhorn solos have already been presented in pop, R&B, disco, Afro-pop, and jazz contexts. He’s experienced American and worldwide hits, caused bands …

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Dicky Wells

One of the most adventurous trombonists from the golf swing period, the distinctive Dicky Wells was somewhat innovative, using his horn within a speech-like design filled with significant amounts of color, laughter, and golf swing. Although he found fame with Count number Basie in 1938, Wells have been a major-league …

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Dennis Mackrel

Drummer Dennis Mackrel is definitely respectable by working music artists, yet undervalued from the jazz community all together. Mackrel is most likely most widely known as the drummer hand-picked by Mel Lewis in 1990 to dominate responsibilities in the Vanguard Jazz Orchestra when Lewis was struggling to continue. This is …

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Rodney Richardson

Rodney Richardson is most beneficial known for his period with Count number Basie’s Orchestra in the 1940s when he filled set for Walter Web page who was offering in the army during World Battle II. Richardson started playing music with place rings in Tennessee in the 1930s (including using the …

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Emmett Berry

He’s there in the traditional “Great Time in Harlem” photo, but it could have been hard to consider many photos of taking place jazz rings or Harlem moments in the ’30s and ’40s without Emmett Berry’s smiling encounter. Not that he’d be smiling; in fact, he would oftimes be as …

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Don Neely

When he was 12, Don Neely bought a Victrola and started an archive collection. He was attracted to the jazz/dance music group noises and Tin Skillet Alley songs from the 1920s. While in university, he previously his very own traditional jazz music group. After that, in 1975, he found a …

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Ed Lewis

Ed Lewis had a fairly odd profession. In his start he was regarded a solid soloist yet, due to his exceptional reading abilities and a variety, he seldom soloed following the early 1930s. Lewis outlived the majority of his contemporaries and acquired very long periods where he proved helpful very …

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