Tag Archives: Clarinet Summit

John Carter was among the very few free of charge jazz players to focus exclusively on clarinet, and among not so many to put an focus on the music’s composed components. Carter analyzed alto saxophone and clarinet early in his profession. He used fellow Fort Well worth indigenous Ornette Coleman …

A longtime person in the Duke Ellington Orchestra, Jimmy Hamilton’s great vibrato-less tone and advanced design (that was ultimately influenced by bop) initially bothered some listeners more familiar with Barney Bigard’s warmer New Orleans sound, but Hamilton eventually won them over along with his outstanding playing. Instead of how he …

In the beginning an inheritor of the abstract/expressionist improvising style that started in the ’60s simply by such saxophonists mainly because Albert Ayler and Archie Shepp, David Murray ultimately evolved into something of the mainstream tenor, playing standards with conventional rhythm sections. Nevertheless, Murray’s readings from the aged chestnuts are …

For the concert at the general public Theatre in NY, John Carter organized a distinctive group comprising David Murray on bass clarinet, as well as the clarinets of Alvin Batiste, Jimmy Hamilton, and himself. Hamilton (who was simply with Duke Ellington’s Orchestra for 26 years) as well as the versatile …

Although occasionally called a “New Orleans clarinetist” (his Columbia album also billed him being a “Legendary Pioneer of Jazz”), the truth is Alvin Batiste can be an avant-garde participant who does unfit quickly into any classification. Under-recorded throughout his profession, Batiste was a years as a child friend of Ed …