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Tag Archives: Caribbean Traditions

Ti Seles

Simple gwo ka drums and singing but a genuine standout due to Seles’s authoritative voice, gorgeous singing, and periodic usage of very melodic sax.

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Max Ransay

This original person in the ’70s Martiniquan cadence band Les Leopards made a sensational reappearance in 1988 using the first biguine to create Radio Caraibe DJ Balthazar’s Creole Hit Parade in nearly ten years. The followup record is an excellent assortment of biguine, zouk, and ti kannot (kelenda). Previously ’80s …

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Gabby

Gabby is without a doubt Barbados’ finest calypsonian seeing that he has proved over and over before dozen years.

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Slaï

Originally from Guadeloupe, zouk recording artist Slaï emerged in the past due ’90s among the niche genre’s rising stars, quickly becoming not just a reputed performer, yet a label owner and an effective producer aswell. Slaï spent his early years in the Parisian suburbs, time for his indigenous Guadeloupe for …

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Charlotte M’bango

With her Hi-NRG mixture of Caribbean zouk and Cameroonian makossa, Charlotte M’bango created probably one of the most exciting sounds to emerge from central Africa through the 1990s. A previous person in les Têtes Bruléha sido, an organization founded in 1986 by arts critic-turned-percussionist, trumpet participant, and vocalist, Jean-Marie Ahanda, …

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Mighty Trini

Rarely a significant force in carnival celebrations, Trini non-etheless comes through sometimes having a big hit. “Cruising,” from 1988, was pretty solid in the celebrations, but 1987’s “Curry Tabanca” was most likely his pinnacle to day.

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Carl & Carol

Longtime leaders from the T&T brass music group Savage and today occupants of Miami, Carl & Carol appear while backup singers about countless calypso information. They to push out a 12-in . single or recording nearly every yr, their 1988 launch getting particularly noteworthy.

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Eugene Mona

This legendary bamboo flutist, songwriter, and performer was an exceptionally creative musician who, on the main one hand, was a keeper from the flame of rural music traditions and who, alternatively, had not been afraid to test out the addition of contemporary sounds. He established the stage onto which afterwards …

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Marce et Toumpak

Drummer Marce Pago, along with Dede St. Prix, got the torch initial lit by Eugene Mona in the ’70s and went with it to bridge the distance between the developing early-’80s zouk picture and a rural percussive type of Martiniquan music known as chouval bwa. Dispensing with chouval bwa’s huge …

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