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Tag Archives: Cannonball Adderley

Dave Glasser

In straight-ahead jazz circles, indigenous New Yorker Dave Glasser could very well be most widely known for his extensive are a sideman for veteran trumpeter/flügelhornist Clark Terry. The alto saxophonist (who must not be baffled with engineer David Glasser or traditional clarinetist David Glazer) can be an unapologetic bebopper; his …

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Orrin Keepnews

Perhaps one of the most respected of most jazz manufacturers, Orrin Keepnews had an extended and productive profession. He graduated from Columbia School in 1943 and was originally mainly thinking about Dixieland. Keepnews composed for The Record Changer beginning in 1948, that was began by his friend Costs Grauer. Four …

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The Mastersounds

Vibraphonist Friend Montgomery and electric powered bassist Monk Montgomery (1921-1982) came collectively to create the Mastersounds (a melodic and easy hearing bop group) with pianist Richie Crabtree and drummer Benny Barth in 1957. The music group captured on for a couple of years, cutting ten information in four years for …

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Plas Johnson

Plas Johnson’s seductive tenor audio has been applied to many studio classes, including — especially — the Red Panther film (1963). A far more versatile participant than one might believe, Johnson sounds similarly in the home in blues, R&B-ish, and hard bop configurations. He recorded an individual in New Orleans …

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Vincent Herring

It was just fitting that Vincent Herring gained his first important acknowledgement using Nat Adderley, for his audio is strongly influenced by his idol, Cannonball Adderley. Given birth to in Kentucky and elevated in California, Herring relocated to NY in 1983, and used a number of main music artists (including …

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Sonny Criss

Alto saxophonist William “Sonny” Criss was an anomaly from the jazz music artists who also came up through the bebop period. Criss relocated to LA from Memphis at age 15, with 19 performed in Howard McGhee’s music group with Charlie Parker and Teddy Edwards. As was typical for each and …

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Alvin “Red” Tyler

Alvin “Crimson” Tyler was inducted in to the Louisiana Blues Hall of Popularity, but he considered himself to become first of all a jazz participant. Bebop was his initial love, but rock and roll & roll as well as the blues paid the expenses better. Within an period when bebop …

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Gary Foster

A fantastic, cool-toned straight-ahead altoist influenced by Lee Konitz and Warne Marsh, Gary Foster’s years within the studios possess frequently been underrated despite his abilities. He graduated through the College or university of Kansas in 1961 and quickly settled within the Los Angeles region, where he continues to be active …

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Hank Crawford

With an unmistakable blues wail, filled with emotion and poignancy, altoist Hank Crawford bridges the gap between that tradition which of jazz more completely than every other living horn player. Delivered in Memphis, Crawford was steeped within the blues custom from an early on age. He started playing piano but …

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Gigi Gryce

Gigi Gryce was an excellent altoist in the 1950s, nonetheless it was his composing abilities (including composing the typical “Minority”) which were considered perhaps most obviously. After we were young in Hartford, CT, and their studies at the Boston Conservatory and in Paris, Gryce proved helpful in NY with Maximum …

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