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Tag Archives: Buck Clayton

Joe Guy

Joe Man had a short and rather odd profession. A encouraging trumpeter who was simply heavily affected by Roy Eldridge, Guy’s design looked forward towards bop. Nevertheless because of his heroin make use of, he never created beyond a particular intermediate level as well as the outcomes, although fiery, regularly …

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Benny Morton

The trombone was an especially effective musical gadget in swing music, and not just because of its slurs, slides, growls, and groans. Benny Morton was known for his gorgeous tone, advanced usage of chromatics beyond the key personal, and tasteful understatement. He required part in a lot of the fundamental …

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Hank O’Neal

An important maker, Hank O’Neal helped keep mainstream jazz alive about records in the first ’70s when it had been at risk of being overlooked. O’Neal created Chiaroscuro in 1970, and until its sale to Audiophile in 1978, he regularly documented swing-based veterans like Earl Hines, Mary Lou Williams, Ruby …

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Ken Kersey

Among the great golf swing transitional pianists from the 1940s (alongside Nat Ruler Cole), Ken Kersey never became too famous but he was very highly regarded by his fellow music artists. Kersey discovered music from his parents (his mom performed piano and his dad was a cellist) and researched both …

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Buster Smith

A talented alto saxophonist and an arranger/composer who probably wrote “A single O’Clock Leap” (although Count number Basie received the credit), Buster Smith’s efforts to jazz are difficult to assess because he was under-recorded throughout his profession. Charlie Parker frequently acknowledged Smith’s impact on his shade, as well as the …

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Buck Clayton

A fantastic bandleader and accompanist for most vocalists, including Billie Vacation, Buck Clayton was a valued soloist with Count number Basie Orchestra through the ’30s and ’40s, and afterwards was a celebrated studio room and jam program player, article writer, and arranger. His tart, dazzling build and melodic dexterity had …

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Remo Palmieri

It often seemed strange that Remo Palmieri, who gained some interest in the first times of bop, under no circumstances became a larger name, particularly since he was dynamic for such an extended time frame. Palmieri originally hoped to become an musician and he performed guitar with regional groups to …

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Mezz Mezzrow

Mezz Mezzrow occupies an unusual and unique put in place jazz background. Although a keen clarinetist, he was hardly ever much of a new player, sounding greatest over the blues. A separate propagandist for Chicago and New Orleans jazz as well as the privileges of blacks (he supposed well, but …

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Roy Eldridge

Perhaps one of the most exciting trumpeters to emerge through the golf swing period, Roy Eldridge’s combative strategy, chance-taking design and strong musicianship were an motivation (and an impact) to another musical generation, especially Dizzy Gillespie. Although he occasionally pushed himself further than he could move, Eldridge never performed a …

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Denzil Best

With regards to the very best drummers, the tale of Denzil Best arrives much better than that of Pete Best, also called “I coulda been a Beatle.” Definately not languishing in obscurity, Denzil Best’s restrained but swinging playing design is constantly on the influence contemporary players such as for example …

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