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Tag Archives: Beniamino Gigli

Rosario Bourdon

Canadian musician Rosario Bourdon was an important in the first times of the recording era being a performer, conductor, arranger, and composer. He was created near Montreal to musical parents who began him in the cello at age seven. His parents instantly recognized his abilities and he signed up for …

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Lucrezia Bori

Standing aside from additional lyric sopranos of her day, Lucrezia Bori was an excellent interpretive artist, adept at utilizing the oboe-like timbre of her modest-sized tone of voice to generate interpretations of rare pathos. Without conventionally gorgeous, she bewitched her viewers into thinking her to be always a creature of …

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Ezio Pinza

Ezio Pinza (Fortunato Pinza) was probably one of the most popular and important basses from the twentieth hundred years. Given birth to in Rome in 1892, he originally wished to make a profession in sports, or simply anatomist, but after finding his tone of voice he began research at Ravenna …

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Franco Corelli

“Thrilling” may be the phrase that inevitably appears to appear in dialogue of Franco Corelli, whether in mention of his powerful, instantly identifiable tone of voice or his matinee idol visual appearance. (He was mostly of the tenors whose appearance was in fact improved by Renaissance-style tights and after one …

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Oliviero de Fabritiis

Conductor Oliviero de Fabritiis was most widely known for his interpretations from the primary Italian Intimate operatic repertoire. He examined on the conservatory in his indigenous Rome and produced his debut in 1920 at Rome’s Teatro Adriano. He briefly worked well at Salerno, after that was appointed creative secretary in …

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Titta Ruffo

Titta Ruffo (given birth to Ruffo Cafiero Titta) was among the best Italian baritones of the first twentieth century. He previously a robust, dark performing voice, however his higher register acquired a ring generally characteristic of the tenor; these characteristics embodied the full-blooded operatic baritone that is in vogue since. …

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Giuseppe de Luca

Although he previously nothing beats the brazen power of the Titta Ruffo or the other large-voiced baritones of his time, Giuseppe de Luca constructed in refinement what he might have lacked in shear volume. His mastery of vocal technique allowed him to make a finely concentrated build that transported well …

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Toti Dal Monte

Nicknamed “La Toti” by her many admirers, Toti Dal Monte possessed a light coloratura tone of voice whose delicate tone was often set alongside the strains of the nightingale. She was hence cast in assignments of vulnerable, frequently unpredictable heroines (i.e., Lucia in Lucia di Lammermoor and Amina in La …

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Tancredi Pasero

Among Italy’s 3 great basses of the time between WWI and WWII, Tancredi Pasero possessed a noble basso cantante bearing a larger resemblance to Ezio Pinza’s grand device than towards the brazen, massive audio of Nazzareno de Angelis. Somewhat softer in timbre than Pinza’s granitic tone of voice, Pasero’s basso …

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Alfie Boe

Among the U.K.’s many officially gifted classical crossover abilities, award-winning tenor Alfie Boe was raised in Blackpool, Britain, hearing his father’s opera information, including shows by Richard Tauber and Puccini’s La Boheme. As a adult, Boe sang while he was painting and polishing vehicles in an area automobile manufacturer; he …

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