Home / Tag Archives: Acoustic Chicago Blues

Tag Archives: Acoustic Chicago Blues

Merline Johnson

Through the late ’30s, one Chicago-based blues woman cut more documents than either Memphis Minnie or Georgia White, and also edged in on Blue Lu Barker with a good cover of her most well-known hit, “NOT Make Me High.” The aunt of R&B vocalist LaVern Baker, Merline Johnson was generally …

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Memphis Minnie

Tracking down the best woman blues guitar hero can be problematic because woman blues singers seldom documented as guitarists and woman guitarists (such as for example Rosetta Tharpe and Sister O.M. Terrell) had been seldom documented playing blues. Excluding modern performers, the most known exception to the design was Memphis …

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Richard M. Jones

The author of “Trouble at heart,” Richard M. Jones’ primary significance to jazz was because the head of a fascinating series of documenting dates. He performed alto horn and cornet using the Eureka Brass Music group as soon as 1902 and worked well like a pianist in New Orleans during …

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Scrapper Blackwell

Scrapper Blackwell was most widely known for his use pianist Leroy Carr through the early and mid-’30s, but he also recorded many single edges between 1928 and 1935. A unique stylist whose function was nearer to jazz than blues, Blackwell was a fantastic player with a method constructed around single-note …

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Roosevelt Sykes

Next time somebody voices the goofball opinion that blues is just too big depressing to embrace, sit ’em straight down and expose ’em to some heady dose of Roosevelt Sykes. If he doesn’t transformation their minds, nothing at all will. There is nothing at all downbeat concerning this roly-poly, effervescent …

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Robert Nighthawk

Of all pivotal numbers in blues history, one among the main was Robert Nighthawk. He bridged the space between Delta and Chicago blues easily, taking his slip cues from Tampa Crimson and stamping them with a Mississippi advantage learned first hands from his cousin, Houston Stackhouse. Though he documented from …

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Howlin’ Wolf

In the annals from the blues, there’s never been anyone that can compare with the Howlin’ Wolf. Six feet three and near 300 pounds in his salad times, the Wolf was the primal drive from the music spun out to its supreme summary. A Robert Johnson might have possessed even …

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Johnny Young

Even though mandolin isn’t a musical instrument commonly connected with Chicago blues, it’s been utilized by Chicago-based string bands or on Chicago-made recordings by artists such as for example Carl Martin, Charles and Joe McCoy, and Yank Rachell. Nevertheless, the only musician to utilize it successfully within the afterwards electric …

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Madlyn Davis

Blues vocalist Madlyn Davis was a robust modern of Ma Rainey, Bessie Smith, Alice Moore, Clara Smith, Mozelle Alderson, Victoria Spivey, Sippie Wallace, and Bertha Chippie Hill. So far as anyone can inform, she made just ten recordings, all for the Paramount label in Chicago. What recognized her from a …

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Johnnie “Geechie” Temple

Johnnie Temple is among the great unsung heroes from the blues. A modern of Skip Wayne, Son House, along with other Delta legends, Temple was among the very first to build up the now-standard bottom-string boogie bass physique, generally acknowledged to Robert Johnson. Given birth to and elevated in Mississippi, …

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