Tag Archives: 1936 in New Orleans

Shirley Goodman enjoyed one of the most remarkable second serves in pop music background, resurfacing some 2 decades after her preliminary success as fifty percent from the hitmaking R&B duo Shirley & Lee with the first disco smash “Pity, Shame, Pity.” Delivered June 19, 1936, in New Orleans, Goodman initial …

b. 18 Dec 1887, Bertrandville, Louisiana, USA, d. 25 Feb 1936, New Orleans, Louisiana, USA. Greatly popular around New Orleans, trumpeter Morgan’s profession was dogged by ill wellness. Nevertheless, he accomplished lasting fame due to some traditional recordings manufactured in 1927 that demonstrated his to be always a music group …

When they described regularly amazing guitarist Snooks Eaglin being a human jukebox in his New Orleans hometown, they weren’t dissing him at all. The blind Eaglin was a favorite shape in the Crescent Town, not merely for his gritty, Ray Charles-inspired vocal delivery and wholly imaginative method of the guitar, …

North spirit legend Donnie Elbert was created Might 25, 1935, in Brand-new Orleans. His family members relocated to Buffalo, NY’s east aspect three years afterwards, and there he discovered to play electric guitar and piano. Inspired most profoundly with the Drifters’ Clyde McPhatter, Elbert co-founded a doo wop group known …

New Orleans R&B cult icon Prince La La was created Lawrence Nelson in 1936. Something from the Crescent City’s Ninth Ward region, he was the sibling of guitarist Walter “Papoose” Nelson, among the personal guitarists in manufacturer Dave Bartholomew’s ace program band. Lawrence started his career being a songwriter, and …

Ernie K-Doe scored one of the primary strikes (most likely the biggest) in the annals of New Orleans R&B with “Mother-in-Law,” a humorous lament that struck a chord with listeners of most stripes coming to the very best of both pop and R&B graphs in 1961. The melody became K-Doe’s …

Blues vocalist Esther Bigeou was raised in another of New Orleans’ most music households (she was a cousin of drummer Paul Barbarin), but were left with a method more vaudevillian than blues or jazz oriented. In 1923, she documented with Rickett’s Superstars, Piron’s New Orleans Orchestra and Clarence Williams. After …