Home / Tag Archives: 1930s – 1940s (page 5)

Tag Archives: 1930s – 1940s

Buddy Clarke

Veteran big music group leader Pal Clarke’s career exercises back again to the ’30s. His documenting debut occurred in the first ’40s, the chaotic days before the implementation from the AFM ban on brand-new recordings. The edges he cut in this era are difficult to find, and exactly what does …

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Bill Russell

Perhaps one of the most important authors and historians mixed up in New Orleans Revival from the 1940s, Costs Russell had many achievements behind the moments. A violinist who acquired extensive research in both functionality and structure, Russell was using the Crimson Gate Darkness Players from 1934-40. Throughout that period, …

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Ady Rosner

Ady Rosner is a significant shape in 20th hundred years European music background, who was simply unfortunately at the mercy of persecution by repressive government authorities more often than once during his profession. Created Adolph Ignatievich Rosner, he was creating jazz in Poland a long time before the times of …

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Clarence Lonnie

Although among the first pianists to record in the recently energized postwar electrical blues style, this artist apparently didn’t follow the fantastic harmonica participant and bandleader Sonny Boy Williamson II to Chicago, as well as the prolific recording activity that was waiting there. He shows up only on the early …

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Kai Ewans

b. Kai Peter Anthon Nielsen, 10 Apr 1906, Hørsholm, Denmark. After playing various other instruments, Ewans find the alto saxophone in his past due teens, afterwards also playing clarinet. He performed in several rings and also produced groupings under his very own leadership including a huge music group in the …

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George Hall

Vocalist George Hall was an associate from the Oleander Quartet, a vocal quartet most widely known for collaborating with nation blues star Leadbelly. The performers combined forces using the previous jailbird on many events for radio broadcasts which were originally captured on acetate; the top band of recordings had been …

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The Four Toppers

A long time before Motown had the 4 Tops “Position in the Shadows of Like,” there is not just one but two groupings called the 4 Toppers. The account of the initial group applying this name both overlapped with and was outnumbered with the better-known Five Crimson Caps. Enthusiasts of …

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Anglin Brothers

Crimson, Jim, and Jack port Anglin, performing as the Anglin Twins and Crimson, billed themselves with some justification as “the South’s preferred trio” in the 1930s. The group was something of the incubator for another generation of nation noises, spawning the 1940s duo Johnnie & Jack port and thence, indirectly, …

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Franz Völker

A tenor having a tone of voice of dramatic size and power, Franz Völker wisely avoided one of the most heroic jobs of Richard Wagner where he cannot compete in sheer quantity with such a sensation as Lauritz Melchior. However, as Lohengrin, he was the just musician to rival the …

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Clifton Jackson

Harry Adam sideman Clifton Jackson blew both tenor and baritone saxophone in the ’40s, after that appeared to just basic blow away. He’s not really the Cliff Jackson who has stride piano, nor the baritone vocalist Clifton Jackson.

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