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Tag Archives: 1926 in New York

Meyer Kupferman

Meyer Kupferman was a versatile and eclectic composer who have incorporated diverse components in his functions, from aleatoric music and jazz to Impressionism, from serial music and atonality to Romanticism. He had written works generally in most styles, including opera, ballet, symphonies, concertos, film ratings, chamber, vocal, and choral music. …

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Whitney Balliett

Among the finest of most jazz authors, Whitney Balliett’s capability to bring his topics alive and somehow transform the indescribable magic of jazz into terms has long place him near the top of his field. Balliett graduated from Cornell University or college in 1951, experienced a brief stint at the …

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Morton Feldman

Studied piano with Madame Maurina-Press, comp. with Wallingford Riegger, Stefan Wolpe. Was Edgard Varése Teacher at State School of NY at Buffalo. Began visual works, with open up pitch and tempo, and music “clear of a compositional rhetoric” in early ’50s, eg. Buildings for string quartet (1951). Music with pitches …

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Ron Jefferson

Drummer Ron Jefferson was fixture from the postwar NEW YORK bop panorama, collaborating with giants which range from Lester Adolescent to Coleman Hawkins. Created in ny on Feb 13, 1926, Jefferson start his career like a faucet dancer before embracing drums, touring and documenting having a who’s who of bebop …

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Carolyn Leigh

One of the biggest female songwriters from the golden period of popular melody, Carolyn Leigh wrote several uptown criteria, including “Witchcraft,” “Teen in mind,” “THE VERY BEST Is Yet to Come,” “Firefly,” “Hey, Appear Me More than!,” “Move Me By,” and “It Amazes Me.” Blessed in 1926, Leigh was composing …

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Sonny Payne

Sonny Payne had the part of his life time as Count number Basie’s drummer. It had been the perfect placement for the hard-driving drummer and he easily fit into flawlessly with pianist Basie and guitarist Freddie Green through the prime many years of Count’s second great music group. The boy …

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Mal Waldron

A pianist having a brooding, rhythmic, introverted design, Mal Waldron’s taking part in is definitely flexible enough to match into both hard bop and freer configurations. Affected by Thelonious Monk’s usage of space, Waldron has already established his own unique chord voicings almost right away. In early stages, Waldron performed …

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Helen Gallagher

b. 19 July 1926, NEW YORK, NY, USA. Gallagher began like a dancer, showing up within the chorus of Seven Lively Arts (1944), her first-time on Broadway. In an identical capacity she made an appearance in Billion Buck Baby (1945) and had a larger role, this time around an performing …

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Jesse Drakes

Jesse Drakes can’t be considered probably the most popular of jazz trumpeters by any standards; the common fan from the genre will most likely think several male ducks is definitely under conversation when met with the jazzman’s surname. If tenor saxophonist Lester Youthful is really a fan’s primary man, then …

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Johnny Windhurst

In the planting season of 1945, legendary soprano saxophonist Sidney Bechet formed a band to try out a protracted engagement in the Savoy Café in Boston. He find the veteran Bunk Johnson to become his trumpeter. The irascible Johnson’s erratic behavior demonstrated a lot more than Bechet experienced bargained for, …

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