A unique trumpeter who match both New Orleans jazz and golf swing configurations, Sidney DeParis was particularly professional with mutes. He caused Charlie Johnson’s Heaven Ten (1926-1931), Don Redman (1932-1936 and 1939), Zutty Singleton (1939-1941), Benny Carter (1940-41), and Artwork Hodes (1941) and documented on the famous Panassie periods (1938) …
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