Susumu Yokota emerged in the first ’90s among the most versatile and prolific electronic companies heading. In his indigenous Japan, he was known for quite some time being a top-tier dance music skill, focusing on all types of home while dabbling in techno, electro, and trance for the Sublime, Harthouse, and THE WORLD brands. Alternate aliases for his dance produces included Ringo, Prism, and Sonicstuff. While his dancefloor monitors had been funky and playful with much debts to epic disco — he also protected Idris Muhammad’s underground disco traditional “Could Heaven Ever END UP LIKE This” — Yokota’s ambient function unfolds using the patience of the butoh dance, all little gestures and steadily shifting levels of quiet audio. He gained worldwide stature with house listeners and critics using the discharge of some well-received ambient albums over the U.K. label Leaf, from 1998 with Magic Thread, and pursuing with Picture: 1983-1998 (1999), Sakura (2000), Grinning Kitty (2001), as well as the Boy as well as the Tree (2002). (A few of these produces originally made an appearance in small works on Yokota’s Skintone label.) Produces for Lo Recordings adopted, like the Rothko cooperation Distant Seems of Summer season (2005), Question Waltz (2006), Like or Die (2007), and Mom (2009). Also an achieved DJ, Yokota leant his combining skills towards the 2001 label retrospective Leaf Compilation. Over time of ill wellness, Yokota passed away in March 2015 at age 54.
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|Fuzoroi no ringotachi||1997||TV Series||Kawashima|
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