Harmonica participant, lyricist, and vocalist Glucose Ray Norcia continues to be leading his music group, the Blue Shades, around New Britain since the past due 1970s. The music group started to break nationally in the past due ’80s and early ’90s using the launch of the debut for the Rounder/Varrick label, Knockout. While leading his personal music group and touring on the local basis around the brand new England says, Norcia spent a long time in apprenticeship like a sideman. This simple truth is obvious on his recordings, as Norcia’s performing is usually deep and heartfelt, and his harmonica playing is usually that of a practiced blues golf club veteran. Norcia 1st started playing blues harmonica in senior high school in his indigenous Rhode Isle. The Blue Shades had been founded after Norcia relocated to Providence, plus they became a residence band at a little membership there. They further created their abilities while burning visiting music artists like Walter “Shakey” Horton, Big Mama Thornton, Joe Turner, and Roosevelt Sykes in close by Boston-area clubs. From the past due ’70s, the music group worked solely with Ronnie Earl as its business lead guitarist until he still left to try out with Roomful of Blues. Norcia’s music originates from an eclectic group of affects, and it most likely displays most in his first music. He cites music artists like Nat Ruler Cole, Joe Williams, Muddy Waters, and Bobby “Blue” Bland as essential, but equally vital that you him are nation music stylists like Ernest Tubb and George Jones. Along with his calm, cheerful, unassuming character, Norcia may be the sort of person people head to making use of their personal complications, and some of the (in addition to his own lifestyle encounter) provides fodder for his tracks. Norcia’s recordings under his very own name are the EPs Glucose Ray & the Blue Shades for Baron Information in 1979; Ronnie Earl & the Broadcasters offering the Sensational Glucose Ray in 1982 for Leopard Information, in addition to his two Rounder produces, Knockout (1989), and do not Stand in my own Method (1991). Both Knockout and do not Stand in my own Method are stylistically varied records showcasing a variety of harmonica designs in addition to blues designs, including metropolitan Chicago, Tx shuffle, Memphis spirit, and R&B, as with a cover of Bobby Bland’s “I’m Not really Ashamed” on the debut, and Boston-area big acoustic guitar blues. The Blue Shades’ Don’t Stand in my own Way served because the inaugural launch for Rounder’s then-new Bullseye Blues label. The Blue Shades also followed Miki Honeycutt on her behalf debut for the Rounder label, Spirit Deep. In 1991, Sugars Ray became a member of the legendary leap blues-based Roomful of Blues and became their business lead vocalist. Roomful released three effective information during Norcia’s tenure and toured incessantly. Norcia also held busy beyond the music group: he is able to be heard on the Bullseye Blues launch by trombonist Porky Cohen, Tempo and Bone fragments, (1996) and on Small Anthony & Sugars Ray’s Consider It from Me, (1994), for the Tone-Cool subsidiary of Rounder. Sugars Ray remaining Roomful of Blues in 1998 and released Nice & Swingin’, an eclectic record that presented tunes by Hank Williams, Arthur Alexander, Big Walter Horton, and an appearance from the Jordanaires. 1999 discovered Sugars Ray adding to the Grammy-nominated recording Superharps, a task that also included Adam Natural cotton, Billy Branch, and Charlie Musselwhite. Through the 2000s, he held busy adding harp on information by Pinetop Perkins, Doug Adam, and others, in addition to touring using the Glucose Ray Norcia Big Music group. Toward the finish of the 10 years, he committed himself to Glucose Ray & the Bluetones, an organization that received many Blues Music Honours nominations, with 2015’s Living Rip to Rip and 2016’s Viewing Is Thinking both making a significant impact.