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The Austrian pop/rock trio of Gert Steinbäcker, Günter Timischl, and Schiffkowitz, known merely as STS, rose to chart-topping success in 1984 using the discovery smash “Fürstenfeld” and remained among the German-speaking world’s most widely used recording acts and concert allures the decades that followed. Frequently in comparison to Crosby, Stills & Nash, the three vocalist/songwriters were independently energetic before teaming collectively like a supergroup. Furthermore to performing and songwriting, each person in the trio takes on acoustic guitar and harmony vocals. Although trio writes the majority of its own materials, using the bandmembers generally self-employed in one another and frequently utilizing a Styrian dialect, adaptations of English-language pop/rock and roll classics are normal, including adaptations from the Beatles’ “Right here Comes sunlight” (“Da Kummt pass away Sunn”), Bob Dylan’s “Mr. Tambourine Guy” (“He, Alter Liedersänger”), and Kris Kristofferson’s “Help Me ALLOW IT TO BE During the night” (“Gö, Du Bleibst Heut Nacht bei Mir”), to cite several good examples. The peak recognition of STS was 1984-1985 if they released the chart-topping albums Überdosis G’fühl (1984) and Grenzenlos (1985) as well as the smash strikes “Fürstenfeld,” “Irgendwann Bleib I Dann Dort,” and “Gö, Du Bleibst Heut Nacht bei Mir.” STS had been founded in 1978 by Gert Steinbäcker (given birth to on November 27, 1952, in Graz, Styria), Günter Timischl (given birth to on, may 11, 1948, in Fürstenfeld, Styria), and Schiffkowitz (given birth to Helmut Röhrling on Dec 27, 1946, in Graz, Styria), the band’s name an acronym for the initials from the three bandmembers, who have been active as single artists before becoming a member of together like a trio. They produced their saving debut as STS in 1979 on Atom Information using the 7″ solitary Matter of Sex (“Matter of Sex” b/w “ALONG WITH YOU”). The discharge proved unsuccessful, nevertheless, as well as the trio’s relationship with Atom Information met an instant end. Steinbäcker eventually joined up with the Austrian rock-band Erste Allgemeine Verunsicherung (aka EAV), supposing the function of lead vocalist with the music group from 1979 to 1983 and showing up within the albums Café Moveé (1981) and Spitalo Fatalo (1983). In 1981 STS reunited on a fresh label, Ariola Information, and released another 7″ solitary, Da Kummt pass away Sunn (“Da Kummt pass away Sunn” b/w “Geht’s da Guat?”). “Da Kummt pass away Sunn” — a German-language version by Schiffkowitz of George Harrison’s “Right here Comes sunlight” from your Beatles recording Abbey Street (1969) — discovered a warm reception in Austria, especially with regards to radio airplay, and was well-known plenty of to warrant a full-length debut record, Gegenlicht (1981) and two extra singles: Fahr auf’s Property mit Mir and Angsthas’. Also in 1981, STS released a one-off non-album one on Echo, Automaten-Karl. A few years afterwards, around enough time of Steinbäcker’s departure from Erste Allgemeine Verunsicherung after Spitalo Fatalo, STS reconvened to record the 7″ one Irgendwann Bleib I Dann Dort (“Irgendwann Bleib I Dann Dort” b/w “Einmannband”) for the SSM label; the melody would later turn into a smash strike in 1985 when provided a major-label discharge. In 1984 STS transferred to a fresh label, Amadeo, and released their second full-length record, Überdosis G’fühl (1984). The record spawned the trio’s chart-topping mainstream breakthrough smash, “Fürstenfeld.” Compiled by Schiffkowitz and Josef Jandrisits (and modified from a melody originally compiled by the last mentioned, titled “With just a little Help”), “Fürstenfeld” can be an homage to Timischl’s Styrian hometown and struck a chord numerous Austrians. The melody topped the Austrian singles graph for many weeks, also learning to be a Best 20 strike in Switzerland and a high 30 strike in Germany, and Überdosis G’fühl furthermore logged a couple weeks at number 1 within the albums graph, spawning another solitary within the name track. Thrust towards the forefront from the Austrian music picture, STS benefited also from Timischl’s auxiliary part within the Austrian music group Opus. That band’s worldwide phenomenon “Live Is definitely Existence” swept across Traditional western European countries in early 1985 within the wake of “Fürstenfeld,” topping the singles graph in Austria, Germany, France, and Sweden; in addition, it charted in Switzerland (number 2), Norway (number 2), the uk (amount six), and america (amount 32). Timischl is normally featured being a vocalist over the in-concert record that the melody originated, Live Is normally Life (1984), documented live at Oberwart Stadium on Sept 2, 1984. Grenzenlos (1985), the follow-up record to Überdosis G’fühl, was a straight bigger strike than its forerunner. Released in Sept, it debuted at number 2, rose to number 1 in its second week, and proceeded to graph for 48 weeks general. The album’s stamina within the albums graph was aided by way of a couple of smash strikes: “Irgendwann Bleib I Dann Dort” (these Steinbäcker music from 1984 that predated Überdosis G’fühl, originally documented for SSM) and “Gö, Du Bleibst Heut Nacht bei Mir” (an version of Kris Kristofferson’s “Help Me ALLOW IT TO BE During the night”). “Grossvater” was also released as an individual. During this time period, STS toured thoroughly, greeted by huge viewers throughout Austria; in 1986 their tour prolonged to Germany, Switzerland, and Liechtenstein. Another STS recording, Augenblicke (1987), was another chart-topper, spawning the singles “Mach perish Aug’n Zu” and “‘S Ganze Leben für’n Rock’n’Roll.” Another circular of touring followed the album’s discharge, along with a live dual record, Auf Tour (1989), was put together from shows in Graz, Linz, and Vienna. Additionally, there is a greatest-hits collection, Gö, Du Bleibst… (1989), and another, Glanzlichter (1990). The very first record of new materials in 3 years, Jeder Label Zählt (1990), was along with a tour along with a Steinbäcker single record, Einmal im Leb’n (1990). Jeder Label Zählt fell lacking number 1, peaking at number 2; “Jeder Label Zählt” and “Wieder a Sommer” had been released as promotional singles. The trio’s following recording, Auf a Wort (1992), performed likewise, peaking at number 2 within the albums graph and spawning a set of promotional singles (“Therefore Online,” “Kommt perish Zeit”). Following a one-off cooperation with Christian Kolonovits, Rosegger (1993), another single recording by Steinbäcker, Steinbäcker (1994), the recording Zeit (1995) came back STS to the very best from the albums graph. Their first stop by at the main place in eight years, Zeit features two singles which were released in advertising from the recording, “Wohin pass away Reise” and “Zeig Mir Dein’ Himmel.” In 1996 the greatest-hits collection Die Größten Hits aus 15 Jahren premiered in commemoration from the trio’s 15-12 months wedding anniversary; in 1997 Steinbäcker released his third single recording, Stationen; and in 1998 the trio released its ninth recording general, Volle Kraft. From 1998 to 1999, STS toured extensively to get Volle Kraft, which charted number 2; a live increase recording documenting the tour, STS & Band Live (2000), resulted. The debut single recording of Schiffkowitz, Er Selbst, was also released in 2000. A few years handed before any brand-new STS materials surfaced: first several compilations, Greatest of STS and Greatest of Steinbäcker, in 2002 and an record of new materials, Herzverbunden, in 2003. Eagerly anticipated, Herzverbunden debuted near the top of the Austrian albums graph and was nominated for an Amadeus Austrian Music Prize. The group after that embarked on a 2004-2005 tour, that a November 2004 efficiency in Munich can be documented for the Dvd movie Herzverbunden (2006). Another record of new materials from STS, Neuer Morgen (2007), also debuted atop the Austrian albums graph. A tour to get the recording started in 2007 and transported over into 2008.

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