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Steve Roden


Steve Roden is really a modern-day renaissance musician. He works in a number of disciplines including sketching, sculpture, film/video, audio installation, and functionality, in addition to recording. Blessed in LA in 1964, he received his B.F.A. in the Otis University of Artwork and Style in LA and his M.F.A. in the Art Center University of Style in Pasadena. Roden uses an activity that translates several forms of particular notation — including phrases, maps, and graphs — into musical ratings. Subsequently, these influence the procedure of fabricating paintings, drawings, sculptures, sonic compositions, and audio installations. Though these ratings are rigid in framework, they enable intuitive actions, errors, and “potential still left transforms.” Roden provides exhibited his function in single and group displays in museums and galleries internationally and it has been honored many fellowships and grants or loans. He has documented over 20 albums since 1997, you start with his debut, Translations & Articulations, released in a restricted operate by Griffin Modern Editions. He functions both single and in cooperation with others. Roden’s sonic tests helped to pioneer the ambient subgenre referred to as “lowercase” music. Lowercase uses sounds which are documented extremely silently, and separated by described intervals of silence, a few of them quite comprehensive. Among Roden’s perhaps most obviously functions are 1997’s Crop Circles, released by Ameublement D’oiseaux; Japan, in cooperation with Bernhard Günter in the latter’s Trente Oiseaux imprint in 2001; For Morton Feldman with Günter and Richard Chartier on a single label in 2002; Airforms online, and Light Forms: Music for LIGHTS and Churches, on Semishigure both in 2005, and Cosmic Particles (a break up with My Kitty Can be an Alien) in 2007 on the Silent Piece. In 2011, Dust-to-Digital released, I Pay attention to the Blowing wind That Obliterates My Traces, which includes a assortment of early photos linked to music, with 78-rpm recordings and brief excerpts from numerous literary sources which are modern to both music and pictures. It had been curated by Roden from his personal collection of a large number of vernacular photos linked to music and audio, and hearing both.

Quick Facts

Full Name Steve Roden
Education Otis College of Art and Design, Art Center College of Design
Music Songs Stars of Ice, Airria Second Version, Forms of Paper, Airforms, 8 Breaths of Different Lengths, Airria, Proximities, Bell Is the Truth, Speak No More About the Leaves, Winter Couplet, Words in the Shape of a Tree, Two Hands Submerged in Water, Striations, Resonant Cities, Trainslation, Every Color Moving, Flowers Drawn, Jellyfish So Like the Moon, The Spaces Contained in Each, Le Chemin du paradis, A Slow Moving Boat, 7.12, Resonantlightones., A Christmas Play for Joseph Cornell, Truth Is the Bell, Feeling, Smelling, Tasting, If the Linotronic Could Sing, Breadly Medly, Vein. Stems. Is. Calm, El Son No Ha Muerto, Water Veins, Some Things Within
Albums Forms of Paper, Four Possible Landscapes, Not a Leaf Remains as It Was, Three Roots Carved to Look Like Stones, Lichtung, A Big Circle Drawn With Little Hands, Light Forms (Music for Light Bulbs and Churches), Humming Endlessly in the Hush, The House Was Quiet and the World Was Calm, Shimmer / Flicker / Waver / Quiver, Broken. Distant. Fragrant., Speak No More About the Leaves, Schindler House, Resonant Cities, So Delicate and Strangely Made, Airforms, Soundwalk, Flower & Water, ... I Listen to the Wind That Obliterates My Traces: Music in Vernacular Photographs, 1880-1955, Chair (A Subscape of Resonance), Lamp (Within/Without the Skin), Cosmic Debris, Volume II, Splint (The Soul of the Wood), invalidObject Series (for), One Stone / And Arcs and Ears, Japan, Le Chemin du paradis
Movies Colorfield Variations

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Blow Debris 2000 Short

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