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Stephen Roberts

A significant artist with a stylish bass-baritone instrument, Stephen Roberts has succeeded within the opera stage aswell as the concert system. His capability to expert the music of several styles and several periods allowed him to attract the interest of many prominent conductors whose curiosity helped foster his profession. Furthermore to a dynamic performing routine, he has produced a sigificant number of recordings. Through the years 1969 to 1971, Roberts examined on scholarship or grant with Gerald British and Redvers Llewelyn at London’s Royal University of Music. While students, he gained the Agnes Nichols Trophy, and a Boise Base offer. In 1973, he was honored second put in place the Kathleen Ferrier Memorial Competition. He started his professional profession as a Place Clerk at Westminster Abbey in London, keeping that placement from 1972 to 1976. Thereafter, he shifted to accept various other engagements, soon learning to be a regular visitor in choral and orchestral concerts. His actions took him to numerous parts of European countries, America, Israel, SOUTH USA, and china and taiwan. After focusing on music from the Baroque period, Roberts begun to explore other areas of baritone repertory. Ultimately, his opera repertory found include such different jobs as Falke in Die Fledermaus, Ramiro in Ravel’s L’heure espagnole, Count number Almaviva in Le nozze di Figaro, Aeneas in Purcell’s Dido and Aeneas, Ubalde in Gluck’s Armide, as well as the self-absorbed Mittenhofer in Henze’s Elegy for Youthful Lovers. Being a corollary, his concert function expanded to accept televised shows in such functions Britten’s Battle Requiem, Delius’ Ocean Drift, Kurt Weill’s Sieben Todsünden, and Handel’s oratorios Judas Maccabaeus and Jephtha. A tour of Italy and America using the London Bach Culture afforded Roberts extra identification while, in Britain, he became a favorite designer at Proms concerts. His documenting activities started early. Among his many essential recordings are: Penderecki’s Lukas-Passion; two Elgar oratorios, The Apostles and Caractucus; Fauré’s Requiem, Vaughan Williams’ Ocean Symphony; Handel’s Alexander’s Feast; Orff’s Carmina Burana; Stravinsky’s Canticum Sacrum and Mass; Gluck’s Armide; Mozart’s Mass in E main, and a assortment of functions by Marc-Antoine Charpentier.

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