Stephen Kellogg statements that whenever he was we were young, his musical interests were divided between his father’s record collection, specialized in ’70s singer/songwriters like Jim Croce and Kitty Stevens, and his sister’s rock and roll & move discs, dominated simply by hair metallic acts such as for example Bon Jovi and Mötley Crüe. Inside a inquisitive method, Kellogg’s music signifies a meeting stage between both of these styles, with tracks that delve deep in to the personal, but make space for a feeling of fun, as the music, that is smart and intimate, can be full of interest and power. Kellogg was created in Westchester, Pa, and he started playing music in senior high school, performing in a difficult rock band referred to as Silent Treatment. After graduating from senior high school, Kellogg enrolled on the School of Massachusetts in 1995, where he examined communication and movie theater, but his interest for music journeyed with him, and he started executing on weekends with close friends Darian Cunning, Tim Edgar, and Tim Newton. Kellogg also started focusing on his songwriting during this time period, writing and saving single acoustic demos, so when he graduated from university, he discovered himself working on the Iron Equine Music Hall, a celebrated place in Northampton, Massachusetts, which motivated him to have a critical shot at producing music his profession. Kellogg started playing gigs anywhere and all over the place he could, and in 2000 he self-released his initial record, South of Stephen, financed by his time job selling paper advertising. Another record implemented in 2002, Lucky 11, which boasted a far more pop-oriented audio, and Kellogg’s active performing timetable was assisting him create a name for himself within the Northeast. Nevertheless, Kellogg’s fortunes produced their biggest modification when he come up with a music group to accompany him on-stage; the Sixers, composed of Brian Element on drums, Keith Karlson on bass and keyboards, and Chris Soucy on acoustic guitar, added a fresh fire and excitement to Kellogg’s concerts, plus they helped make his 2004 recording, Bulletproof Heart, his breakthrough launch. Thanks to weighty touring, Bulletproof Center became a solid seller at displays and in 3rd party record stores, as well as the band’s developing fan base captured the eye of Universal Information, who authorized the band with their Basis imprint and released Stephen Kellogg as well as the Sixers in early 2005; early copies from the recording were packaged having a reward EP, One Night in Brooklyn, documented throughout a 24-hour program with a small number of close friends, including previous Whiskeytown associates Mike Daly and Caitlin Cary. As the self-titled record fared well with supporters, Kellogg as well as the Sixers shortly parted methods with General, and because of their next studio record, 2007’s Glassjaw Boxer, the group partnered using the unbiased label Everfine Information, best known because the house of well-known jam music group O.A.R. Released in ’09 2009, The Keep noticed the group proceed to Vanguard Information and split the Billboard Best 20 for AAA via the one “Shady Esperanto & the Youthful Hearts,” while 2011’s Present Equine showed both exceptional consistency along with a determination to broaden the group’s personal heartland audio into brand-new and increasingly psychological territories. In 2012, Kellogg announced that the Sixers had been taking place hiatus, and the next year he shipped his first single record in ten years with Blunderstone Rookery, which highlighted guest shows by Travis McNabb and Annie Clements from Sugarland, Sean Watkins from Nickel Creek, and Jerry DePizzo from O.A.R. In Feb 2016, Kellogg came back with another single project, South, Western world, North, East, including materials from four models of classes (each with different music artists) documented in Nashville and Atlanta, Boulder, Woodstock, and Washington, D.C.
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