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Stephan Micus

The respected German composer and multi-instrumentalist Stephan Micus made his first journey to Asia at age 16. He provides since traveled all over the world. He spent comprehensive intervals studying historic musical methods in India and Japan and gathered several ethnic musical instruments previously unidentified in the Western world. His recordings for the ECM label are essentially single efforts where the illusion of the ensemble is established with the composer’s comprehensive overdubs. Micus’ purpose is not to try out these instruments based on tradition, but to mix modes of appearance from all over the world in interesting new methods. Though he occasionally creates noises you’d swear had been the consequence of digital keyboards, Micus can be an acoustic purist who frequently develops unconventional functionality techniques on cultural musical instruments. He released Backyard of Mirrors in middle-2000, with Desert Poems and Koan both carrying out a season later. Micus continuing to stay active, releasing On the Breeze in 2002, Lifestyle in 2004, and On the Wing in 2006, which held his multicultural and multi-instrumental design intact. Micus provided the concept documenting Snow in 2008. On 2010’s Daring as Light, he utilized customized versions from the raj nplaim, a free-reed bamboo tube from Laos, and japan nohkan flute, also manufactured from bamboo. As often, he not merely examined the music from the instrument’s indigenous regions, but extended the tonal gets to along with his customization. For his 20th record, Micus collaborated with Greek historian and scholar Vassilis Chatzivassiliou, who chosen Byzantine-era (seventh hundred years) texts which were historic prayers to “Holy Mary” (the Panagia from the name). The performers gave modern tone of voice to these text messages through the use of bells from many customs, gongs, stringed musical instruments, or more to 20 voices. Panagia was released in March of 2013.

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