Stela Campos began her music profession in 1989, like a jazz vocalist in nightclubs in São Paulo, the biggest metropolis of SOUTH USA. On her behalf repertoire were requirements like “Moonlight in Vermont,” but additionally rather unusual jazz interpretations of a few of David Bowie’s and Vehicle Morrison’s function. In the first ’90s she created the music group Lara Hanouska, which she quickly abandoned. Rather she became area of the music group Funziona Senza Vapore, the majority of which was crafted from former members from the rock and roll group Fellini. Campos documented only one recording with Funziona Senza Vapore, however the music group captivated a cult pursuing. In 1994 she relocated to Recife, within the Brazilian northeast, where she re-formed the music group Lara Hanouska with fresh bandmembers. Together she made up and performed tunes mainly within the vain of Velvet Underground and Sonic Youngsters. In Recife, Campos also caused Chico Technology and Nação Zumbi, the best music group from the mangue defeat motion. In 1997 she sang the name tabs on the film Baile Perfumado, whose wealthy soundtrack got very much attention at that time. Maybe inspired from the musical cannibalism from the mangue defeat movement, by the end from the ’90s Campos grew sick and tired of the guitar-based audio of her music group and started to experiment with digital music. Starting her solo profession she released the artistically daring recording Céu de Brigadeiro in 1999. Through the pursuing years Campos relocated back again to São Paulo and worked well to refine her fresh musical audio, mixing vocalist/songwriter-styled rock and roll, MPB, and electronica. Finally in 2002 she released her second recording, the critically acclaimed Fim de Semana, which her spouse Luciano Buarque co-wrote many of the music. Her third record, Resort Continental was a loan consolidation of her brand-new audio and musical relationship with Buarque.