Because the ’70s, Sicilian composer and multi-instrumentalist Stefano Maltese spent some time working in a number of situations which range from solo to large ensembles including strings and unusual instruments like harmonica and glockenspiel. He provides positively explored the connections between composing and improvising, and implemented his own private path motivated by music, books, and various other arts, independently coming to results comparable to those reached by music artists of various other post-jazz environments, such as for example Chicago’s AACM and Amsterdam’s ICP Orchestra. Comparable to John Tchicai or Roscoe Mitchell, Maltese is very much indeed his own guy, and his looks stem from jazz just as much as from the wealthy creative and philosophical traditions of his cherished Sicily. In 1987, Maltese create the first orchestra that grouped avant-garde music artists from different regions of Italy, a forerunner towards the Italian Instabile Orchestra. In 1990, he made the Open Audio Outfit to which he asked music artists from different regions of the globe (Living Alive, Leo 2000), and in 1993, arranged the As Sikilli Outfit (the Sicilian in Arabic) to try out his very own articulated suites (Seven Paths for Tomorrow, Dischi della Quercia 1997). His amazing CDs in duo with Marilyn Crispell on Dark Saint (Crimson and Blue) concentrate on open up improvisations, as will the random quartet with Evan Parker, Keith Tippett, and Antonio Moncada (Two times Reflection, Splasc(h) 1996). He frequently collaborates with superb vocalist Gioconda Cilio, a significant music stylist and improviser (Seems of My Soul, Dischi della Quercia 1995) and performs single (HELLO Midnight, Splasc(h) 1998). In his city of Syracuse, he promotes the Labirinti Sonori Jazz Event.