Stefana de Macedo was an designer specialized in northeastern folklore. She experienced her musical initiation in the Colégio Ramp Williams (Rio de Janeiro RJ), where she analyzed piano and violão (classical guitar) with Patrício Teixeira and Rogério Guimarãsera as her teachers. In 1928, at 23, she debuted within a recital on the Teatro Lírico. The achievement yielded invites by Odeon and Columbia record businesses. She was generally interpreting folkloric or folkloric-inspired music; her albums became extremely popular, and she acquired strikes with “História Triste De Uma Praieira,” “Mãe Maria Camundu,” “Bicho Caxinguelê,” “Sussuarana,” “Sodade Caboca,” “Nos Cafundó perform Coração,” “Period Aquilo Só,” “Saia Perform Sereno,” and many other music. She was the author of a few of them and in addition interpreted music by João Pernambuco, Heckel Tavares, Luiz Peixoto, Olegário Mariano, Adeimar Tavares, among others. When the leader Obtainúlio Vargas seen Argentina, he provided her an exhibition in Buenos Aires on the Digestive tract theater, accompanied on the piano by Villa-Lobos himself. The achievement of the functionality yielded her a agreement with Radio Belgrano. Among the countless tributes received, the main one with the Academia de Letras de São Paulo deserves talk about.