Stefan Karlsson, a local of Sweden, was created into a music family. His dad played piano expertly and influenced his desire for piano and jazz. He also started church body organ lessons at 13 and continuing to review the device into his university years. Pursuing his graduation from senior high school, the pianist found america on the scholarship to review at the University or college of North Tx, where he gained both a bachelor’s along with a master’s level. He was also an associate from the university’s acclaimed One O’Clock Laboratory Band for 3 years, touring nationally and internationally using the ensemble and taking part in five of the recordings. Karlsson produced his saving debut throughout a 1985 come back visit to his homeland, showing up with High Matteson and Crimson Mitchell on the Four Leaf Clover Compact disc Life’s a Consider. In 1990, Karlsson produced his first day as a innovator for Justice, pursuing it with two more lucrative times for the label, also showing up on three Justice CDs by drummer Sebastian Whittaker. He documented a live Compact disc for Vartran Jazz (became a member of by the past due Bill Evans’ previous tempo section, bassist Eddie Gomez and drummer Eliot Zigmund). Karlsson worked well for quite some time in Denver and NEVADA before time for join the jazz research faculty at his alma mater. Furthermore, Karlsson’s music continues to be featured in several movies (including Sugars Hill and Twenty Dollars) and tv series (including Melrose Place, Party of Five, Wings, and Homicide: Existence on the Roads). Karlsson offers continuing to juggle his professions like a performer and educator, providing as an teacher and clinician while operating regularly as an associate of Eddie Gomez’s groupings. Other music artists with whom the pianist provides played or documented with include Supplement Ellis, Jim Ferguson, Carl Fontana, Tim Hagans, Marc Johnson, Dick Oatts, Full Perry, Chris Potter, Rufus Reid, Marvin Smitty Smith, Ed Soph, Marvin Stamm, Harvie S, Jiggs Wigham, among others. In the middle-’90s, Karlsson agreed upon using the Troppe Take note/Cambria label, documenting several CDs on their behalf, like the critically praised Music Is certainly Forever: The Music of Pianist Russ Freeman.