Although he only released a small number of recordings of his own, Stan Freeman was a near-omnipresent fixture on the brand new York jazz picture like a soloist, accompanist, and program musician for a lot of the 1950’s and early ’60s. Additionally, he drawn attention like a composer, comic article writer, and raconteur, and in addition offered as an arranger from your 1960’s thru the 1980’s for Marlene Dietrich and Michael Feinstein. And for a while in the first 1950’s, he helped spearhead a momentary and unpredicted revival from the harpsichord as a favorite device. Given birth to in Waterbury, CT, in 1920, Stan Freeman analyzed traditional piano and later on graduated from your University or college of Hartford. He performed in Glenn Miller’s U.S. Military Air Force Music group during World Battle II and shifted to Tex Beneke’s music group after the battle. He documented duets with pianist Cy Walker, furthermore to documenting with Lee Wiley and Mabel Mercer as an accompanist. Through the early ’50s, he became an effective nightclub entertainer in his personal right, just as much for his comical asides and commentary as his piano playing. Freeman’s 1st taste of acknowledgement beyond the professional music globe emerged in 1951 when he performed a program with Rosemary Clooney where a unique novelty record was trim — the effect, “Arrive On-A MY HOME,” was a global smash along with a career-maker for Clooney, and Freeman’s accompaniment in the harpsichord produced him into more than enough of a superstar that Columbia Information released an record of his function entitled Arrive On-A Stan’s Home that same season. The harpsichord became a specific area of expertise of his on the next couple of years and Freeman brought the device towards the music of Percy Beliefs, among other music group leaders, on several recordings through the initial half of the 1950’s. Through the 1960’s, he trim one record, Fascination, for Enoch Light’s Task 3 label and held active as an accompanist. He became the successor to Burt Bacharach as Marlene Dietrich’s musical movie director and collaborated within the composing of a set of Broadway musicals. He was a popular composer of particular musical materials for television aswell, especially for Carol Burnett and Mary Tyler Moore, and gained an Emmy Prize for his are author of “Hi-Hat,” a Fred Astaire parody which was finished with Burnett. His actions scarcely slackened within the 1970’s as well as the 1980’s, when he became an arranger for Michael Feinstein. He also indulged his lifelong admiration for George Gershwin and his interpreter Oscar Levant, composing a tribute to Levant, a well-known raconteur in addition to musician, entitled “At Wit’s End.” As past due as 1997, when he is at his past due eighties, Freeman had taken on the brand new function of theatrical performer (in addition to getting the music movie director) within an off-Broadway revue entitled Secrets Every Wise Traveler OUGHT TO KNOW.