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Stampfel & Weber

Although technically they have only released one album as Stampfel & Weber, 1981’s Going Nowhere Fast, singer/violinist/banjoist Peter Stampfel (b. Oct 29, 1938, in Wauwautosa, WI) and vocalist/guitarist Steve Weber (b. June 22, 1942, in Philadelphia, PA) been employed by together on / off, being a duo and with others, given that they fulfilled in NEW YORK in 1962, released by vocalist/songwriter Antonia Duren, Weber’s previous partner, and Stampfel’s current one at that time. IN-MAY 1963, they shaped the Holy Modal Rounders being a duo. Their music blended components of traditional folk and old-timey nation with an metropolitan sensibility up to date by funny and surreal components of defeat poetry, producing them among the oddest works in the folk increase. They agreed upon to Prestige/Folkore Information, the folk department from the 3rd party jazz label Prestige Information, and documented their debut recording, The Holy Modal Rounders, on Dec 11, 1963, and January 17, 1964; it had been released in 1964. Their second recording, The Holy Modal Rounders/2, was documented on July 16, 1964, and released in 1965. (After Prestige was obtained by Fantasy Information, Dream re-released the albums like a two-LP arranged under the name Stampfel & Weber in 1972. In 1999, Dream once again reissued the albums, this time around as an individual CD known as The Holy Modal Rounders 1 & 2.) Starting up using the Greenwich Town poets Tuli Kupferberg and Ed Sanders and drummer Ken Weaver, Stampfel and Weber after that became area of the Town Fugs, who have been at least as unusual as the Holy Modal Rounders, but interested in playing rock and roll music. The Town Fugs’ debut recording, The Town Fugs Sing Ballads of Modern Protest, Stage of Sights, and General Dissatisfaction, premiered from the Broadside subsidiary of Folkways Information in 1965. The group simplified its name towards the Fugs, as well as the recording was reissued from the impartial jazz label ESP as The Fugs First Recording. ESP initially declined the band’s second documenting as obscene, plus they adopted rather with an recording known as The Fugs, which broke in to the pop graphs in July 1966 and reached the very best 40 throughout a six-month graph stay. (The Fugs Initial Album after that belatedly reached the graphs and peaked in the very best 100.) With this, ESP created among the initial advisory stickers available for an archive (“For Adult Thoughts Only”) and lastly issued the designed second discharge as the Fugs’ third record, Virgin Fugs (1966). (Fugs 4, Rounders Rating, a compilation record released by ESP in 1975, included previously unreleased outtakes.) Stampfel and Weber still left the Fugs and reconvened the Holy Modal Rounders because of their own ESP record, Indian Battle Whoop (1967), which put into the group key pad participant Lee Crabtree and drummer Sam Shepard from Stampfel’s spin-off group the Moray Eels. In 1968, they agreed upon to Elektra Information and released their 4th record, The Moray Eels Eat the Holy Modal Rounders (though, as Stampfel afterwards pointed out, it had been the additional way around), having a lineup that maintained Shepard while Richard Tyler changed Crabtree on keyboards and John Wesley Annis was added on bass. Annis was still up to speed for the 5th record, 1971’s Good Flavor Is certainly Timeless, released by Metromedia Information, but Tyler was eliminated, changed by multi-instrumentalist Robin Remaily (a years as a child friend of Weber’s and the writer of “Euphoria” through the band’s initial record), and Shepard got left to spotlight his playwriting (the music group had performed in the pit for his 1970 off-Broadway play Procedure Sidewinder as well as recorded an record of its music for Columbia Information that proceeded to go unreleased); his substitute was drummer Mike McCarty. Alleged within their Own Time, offering Stampfel, Weber, Remaily, bass participant Dave Reisch, and banjoist Luke Faust, was documented in 1972 and released in 1975 on Rounder Information, which have been named following the group. At that time, Weber had shifted to Oregon using the various other members from the Holy Modal Rounders, except Stampfel, who continued to be in NY and finally led a music group with Reisch known as the Unholy Modal Rounders that made an appearance on Michael Hurley’s celebrated 1976 record Have got Moicy! Stampfel and Weber reunited, supported by members from the Holy Modal Rounders spin-off group the Clamtones (included in this Tyler, Reisch, and Romaily), for Last Circular (1978), released on Adelphi Information, its name suggesting this is the Holy Modal Rounders’ last statement. Probably that was why, in 1981, when Stampfel and Weber met up again for Heading Nowhere Fast, released on Rounder, they acknowledged their 1st duo recording since 1965 to Stampfel & Weber, not really the Holy Modal Rounders. From then on, they proceeded to go their separate methods once again, with Stampfel liberating several albums along with his group the Bottlecaps and Weber dealing with occasional engineering projects. In 1996, Weber relocated towards the East Coastline and once again reunited with Stampfel. Both started to perform collectively, and in 1999, became a member of by Reisch and visitor slip guitarist Don Rooke, they documented AN EXCESSIVE AMOUNT OF Fun!, the first Holy Modal Rounders recording in 21 years and their first documented cooperation in 18 years. In 2001, Rounder released I Make a Want a Potato, a compilation record of recordings with the Holy Modal Rounders and their affiliates.

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