While still in her twenties, Stacey Tappan became broadly regarded as perhaps one of the most promising sopranos of her era, and in the ensuing years targets were met with acclaimed debuts on the Houston Grand Opera, Chicago Lyric Opera, Bangkok Opera, Ravinia Festival, LA Philharmonic, and other prestigious venues. On recordings she’s scored similar achievement, especially as the Wren in Braunfels’ The Wild birds and Beth in Tag Adamo’s Little Females. But her repertory runs from Despina in Mozart’s Cosí enthusiast tutte and Nanetta in Verdi’s Falstaff to Adele in Strauss II’s Die Fledermaus and Mabel in Gilbert and Sullivan’s The Pirates of Penzance. Her operatic jobs also ingest Monteverdi, Wagner, Massenet, Nino Rota, and many more. In concert fare she’s sung the Seraph in Beethoven’s Christ for the Support of Olives and made an appearance in shows of Mahler’s Second, 4th, and 8th symphonies. Furthermore, Tappan provides sung little-known recital repertory such as for example tracks by Schreker and Zemlinsky. Critics agree her tone of voice is gorgeous: Tappan can be a lyric soprano using a shiny, angelic sound that may produce ample capacity to soar above orchestral fortes. Her recordings can be found from ArtHaus Musik, Naxos, and Ondine. Stacey Tappan was created in Boston, MA, on June 13, 1973. Elevated in Pasadena, CA, she researched voice on scholarship or grant at Chapman College or university (1991-1995). She also gained scholarships for vocal research on the Manhattan College of Music (1995-1997) and Juilliard (1997-1999). While at Juilliard she joined up with the Juilliard Opera Middle. Tappan also got part in schooling applications on the Santa Fe Opera (1997), Opera Theater of St. Louis (1999), and Wolf Snare Opera (2000). Section of Tappan’s trained in these applications involved offering as an understudy in such jobs as the Fiakermilli in Richard Strauss’ Arabella (Santa Fe; 1997) and Leila in Bizet’s The Pearl Fishers (St. Louis; 1999). Tappan’s main debut was her protrayal of Beth in Small Women on the Houston Grand Opera in March 2000, a efficiency broadcast over PBS tv in 2001 and released with an Ondine Compact disc that same season. The efficiency would also become issued on the Naxos DVD this year 2010. Tappan debuted in the Chicago Lyric Opera in 2002 as the Initial Esquire in Wagner’s Parsifal. That same 12 months she made an appearance there as Papagena in Mozart’s Die Zauberflöte. A string of exclusive debuts adopted: Michigan Opera Theater as Mabel in The Pirates of Penzance (2004), Glyndebourne Event as Adele in Die Fledermaus (2006), and LA Opera as Virtù and Pallade in Monteverdi’s L’incoronazione di Poppea. In 2008 Tappan debuted in France when she sang Gilda in Verdi’s Rigoletto in the Opéra de Lille. That same 12 months she appeared within an acclaimed LA Philharmonic concert overall performance of Esa-Pekka Salonen’s Wing on Wing. She was asked back for another overall performance of the task in ’09 2009. In 2011 Tappan sang very much Wagner in the SAN FRANCISCO BAY AREA Opera, portraying Woglinde in Das Rheingold and Götterdämmerung, as well as the Woodbird in Siegfried.