Little is well known concerning this male-female duo, who also released an obscure, regular pop-folk-rock album about 1967 somewhat in the mildew of a far more pop-oriented Ian & Sylvia (or even more arcanely, somewhat just like the duo Jim & Jean, themselves a far more pop-oriented Ian & Sylvia). The LP was made by Huey Meaux, mentioned overseer of several fine records from your Texas-Louisiana region, which can mean St. George & Tana had been from that region (although arrangements don’t audio specifically Texan or southern). Although there have been addresses of three fairly well-known tunes (“High Flying Parrot,” “The Darkness of the Smile,” and Richard Farina’s “Reno Nevada”), a lot of the materials was acknowledged to either John Campolongo or Sacks/Campolongo. It therefore seems affordable to reckon that St. George may have been John Campolongo and Tana may have been Tana Sacks, however the scant sleeve records give no certain clues.