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Spike Hughes

b. Patrick Cairns Hughes, 19 Oct 1908, London, Britain, d. 2 Feb 1987, London, Britain. In the first and middle-30s bass participant Hughes was energetic in UK dance music group and light music circles, playing and composing in an array of musical designs. A few of his compositions attemptedto mix jazz with traditional music – for instance, his ‘A Harlem Symphony’ and ‘Great Yellowish’, a jazz ballet. After producing some jazz-orientated information in the united kingdom, Hughes visited NY where he led a documenting session using a music group arranged for him by Benny Carter, playing many of his very own compositions and agreements. These records, which excellent musicians such as for example Coleman Hawkins, Henry ‘Crimson’ Allen, Chu Berry, Dicky Wells and ‘Big’ Sid Catlett made an appearance, demonstrated that Hughes acquired fully assimilated that which was still, for most Europeans, an alien musical idea. These 1933 recordings became, and stay, classics of big music group music. As though aware that he previously achieved a maximum he could under no circumstances surpass, Hughes performed little following this, focusing rather on journalism. He was for quite some time ‘Mike’ of Melody Manufacturer and also had written extensively on traditional music in addition to publishing two quantities of autobiography.

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