A leader of and participant in different free of charge jazz, avant rock and roll, and contemporary chamber ensembles because the 1970s, Swiss saxophonist Markus Stauss founded the Spaltklang quartet in 2001. In German, Spaltklang approximately means “split audio,” reflecting Stauss’ fascination with developing a 21st hundred years incarnation from the Baroque period “damaged consort” — that’s, a group offering both blowing wind and string musical instruments. Of course, merging winds and strings could not be considered groundbreaking, but in the situation of Spaltklang, the way in which where the group drew from and mixed separate musical customs — not only separate groups of musical instruments — was actually quite unique. Furthermore to Stauss on tenor and soprano saxophone, Spaltklang included Rémy Sträuli on drums and keyboards, Olivier Vogt on viola and violin, and Stephan Brunner on electrical bass. The quartet primarily put its stamp on music previously performed by various other Stauss rings — including avant jazz-rock clothing Überfall and free of charge funk fusion trio Ulterior Lux (also offering drummer Sträuli) — but shortly started developing an inimitable tone of voice of its, with brand-new compositions, preparations, and improvisations. Spaltklang’s debut record, Alpenglühen, came on Überfall’s Fazzul Music label in 2002; the record discovered the quartet incorporating a bunch of stylistic components into its musical blend, including probing collective improvisation, angular herky-jerky jazz-rock outlined by Stauss’ squalling tenor sax, chamberesque passages for soprano sax and Vogt’s viola, and jazz-funk powered by the limited rhythm portion of Brunner and Sträuli (bassist Brunner also discovering a little bit of Hugh Hopper-style fuzz bass). Through the entire 2000s, the quartet of Stauss, Sträuli, Vogt, and Brunner would record three even more albums, all released by Fazzul Music: Shock (2004), Lontano (2006), and En Suite (2009). In middle-2010, Spaltklang apparently began a fresh period with lineup adjustments that would start to see the group growing right into a sextet development offering Stauss, Sträuli, Vogt, fresh bassist Christian Weber (changing Stephan Brunner), trumpeter Jérôme Koopmann, and electrical guitarist Ruedi Schmid. Nevertheless, provided the bandmembers’ several other commitments, this edition of the music group failed to accomplish liftoff as a continuing viable task, and Spaltklang continued hiatus in the summertime of 2012. On the other hand, Stauss had inserted in to the orbit from the Milan, Italy-based AltrOck label, taking part in recordings by several AltrOck tasks, including flagship avant-prog ensemble Yugen, ambient explorers Kurai, and Belgian-Brazilian chamber experimentalists Finnegans Wake. Stauss acquired first fulfilled Yugen guitarist/composer Francesco Zago in 2005, and both music artists had produced the improvisational duo Zauss, launching a debut disk on Fazzul in 2006 (a season that also noticed the discharge of Spaltklang’s aforementioned third record, Lontano, and looks by Stauss on Yugen’s debut disk, Labirinto d’Acqua) accompanied by a second recording in 2011 and third in 2012. Having a collaborative romantic relationship between Stauss and Zago strongly founded, and Stauss currently a member from the AltrOck category of music artists, Spaltklang would quickly become resurrected as an AltrOck music group offering Zago as the brand new guitarist. This quintet edition of Spaltklang documented the group’s 5th album, AMONG, in Feb 2013. The recording — obviously representing fresh directions for the music group in jazz-rock, avant jazz, and innovative improvisation — premiered by AltrOck later on that 12 months, and presented a lineup of Stauss, Zago, Sträuli, Weber (on dual bass), and Austrian trumpeter Richard Koch.