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Sophie Daneman

Sophie Daneman can be an British soprano particularly noted on her behalf function in period shows. She developed a respected career for the reason that field in the 1990s, especially in France. She researched on the Guildhall College of Music and Crisis in London, where her instructor was Johanna Peters. She’s become especially well known on her use William Christie and Les Arts Florissants in France. In neuro-scientific period performance, she’s performed with conductors Christopher Hogwood, Robert Ruler, Gérard Lesne, Jean-Claude Malgoire, Sir Neville Marriner, Phillipe Herreweghe, and Paul Daniel. Some of the many functions she sings within this historically up to date design are Handel’s L’Allegro, Mozart concert arias, Beethoven’s Egmont music, Rameau’s Castor et Pollex and Les Fêtes d’Hebe, Handel’s Acis and Galatea, Rodelinda, and Messiah; Mondonville’s Jephte, Purcell’s Dido and Aeneas, and Vivaldi’s Ottone in Villa (to say those she’s recorded). Other functions in her repertory are Bach’s Xmas Oratorio and St. Matthew Interest, Handel’s Ezio, Saul, Agrippina, and Arianne; Monteverdi’s Il Ritorno d’Ulisse in Patria and L’Incoronazione di Poppea; and Mozart’s La Clemenza di Tito, Così enthusiast tutte, Don Giovanni, Le Nozze di Figaro, Die Zauberflöte, and Requiem. Nevertheless, she is definately not being limited by the field of early music. She debuted using the Opéra-Comique in Paris in the name female function of Debussy’s Pélleas et Mélisande, executed by Georges Prêtre. She’s also sung in Elgar’s The Kingdom at Wells Cathedral, Vaughan Williams’ Serenade to Music on the Barbican Center in London, Britten’s Springtime Symphony using the Hallé Orchestra executed by Kent Nagano, Mahler’s Second and 8th Symphonies, and Sir Michael Tippett’s A KID of Our Period. She has a dynamic career being a recitalist, which include both period shows of early music and music from the typical performance design repertory. She’s sung recitals at Villa Medici in Rome, Wigmore Hall, the Purcell Area and other main venues. On the Greenwich Celebration she sang a particular program specialized in Chopin’s tunes with accompanist Leslie Howard and readings by Leslie Caron and participated in Roger Vignoles’ “Scenery into Track” series. Others she’s caused in recital consist of Julius Drake, Eugene Asti, Ian Bostridge, and Graham Johnson. She’s documented for the Erato, Harmonia Mundi, EMI, and Virgin brands and made an appearance in radio and tv broadcasts for Irish Radio and Tv, the BBC, and RIAS Berlin.

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