Sonny Okosun towers one of the giants of modern Nigerian music — assigning his personal fusion of reggae, highlife, Afro-funk, and traditional melodies and rhythms the catchall explanation “ozziddi” (or “message”), he tackled head-on probably the most incendiary political and public issues gripping photography equipment. Delivered in Enugu, Nigeria, on January 1, 1947, Okosun was the kid of music artists, although his key formative influences had been rockers like Elvis Presley as well as the Beatles. As a teenager he trained himself electric guitar, and in 1964 founded the Postmen, a United kingdom Invasion covers music group; a season later Okosun been to London for the very first time within a movie theater group. Within the wake from the early-1966 federal government coup d’état that resulted in the Biafra issue, he and his family members resolved in Lagos, where he forged a profession as a tv actor. Okosun came back to music in 1969 as an associate of Victor Uwaifo’s Melody Maestros, an organization noted because of its modern pop method of traditional Nigerian music. After touring Japan and European countries using the group, he produced his very own psychedelic rock device, Paperback Small, which he helmed until 1974. Upon dissolving the group, Okosun once again reinvented his strategy, this time around channeling affects like spirit, funk, and reggae — the causing group, dubbed Ozziddi, crystallized the intensifying musical and lyrical route he followed through the entire remainder of his profession. “All my mates had been singing love music,” Okosun afterwards said. “I used to be trying to speak about what was taking place to dark people.” With 1976’s “Help,” Ozziddi have scored their first main African hit, along with a season later reggae large Eddy Grant blended their LP Papa’s Property. Follow-up Fireplace in Soweto was documented in London and have scored via the name monitor, which protested apartheid abuses in South Africa. Okosun even so sidestepped the militant politics of contemporaries like Afro-funk icon Fela Kuti, marketing African unity and dark satisfaction over radical broadsides. After completing focus on 1978’s Holy Wars, Okosun toured Nigeria with reggae greats Jimmy Cliff and Toots & the Maytals. With 1981’s UNDER-DEVELOPED, Okosun inked a licensing cope with London indie Oti, using the U.S. imprint Celluloid agreeing to reissue Togetherness 2 yrs later on. In 1985 he reached the apex of his worldwide fame because the lone African designer to donate to the all-star anti-apartheid recording Sun City, along with a yr later on his “Highlife” presented within the Jonathan Demme-directed feature film Something Crazy. By the past due ’80s Okosun’s recognition was waning, however in 1994 he resurfaced using the return vehicle Tunes of Praise. In every he recorded a lot more than three dozen LPs during the period of his profession, with sessions trim in locales which range from the U.S. to France, and preserved a higher profile at globe music festivals throughout the world. After battling cancer of the colon, Okosun passed away in Washington, D.C., on, may 24, 2008.
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|Something Wild||1986||performer: "Highlife" - as Sonny Okossun / writer: "Highlife" - as Sonny Okossun|
|The Cinema of Raymond Fark||1970||Short|
|Sun City: Artists United Against Apartheid||1985||Video documentary||Himself|
|Artists United Against Apartheid: Sun City||1985||Video short||Himself (uncredited)|
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