Alto saxophonist William “Sonny” Criss was an anomaly from the jazz music artists who also came up through the bebop period. Criss relocated to LA from Memphis at age 15, with 19 performed in Howard McGhee’s music group with Charlie Parker and Teddy Edwards. As was typical for each and every alto participant, Parker exerted an enormous impact on Criss’ playing. His beefy, earthy firmness can be noticed on several Savoy sessions starting the next 12 months. Criss drifted, playing in jazz and R&B organizations, including those led by Johnny Otis, Billy Eckstine, and Stan Kenton. After becoming a member of Buddy Abundant with 1956, Criss documented Jazz U.S.A. for Imperial like a innovator; it’s among the accurate underground classics from the hard bop period. Imperial — primarily an R&B label focusing on New Orleans functions such as Fat Domino — place no promotional drive behind it. non-etheless, he could cut two even more classes for the label: the wonderful Go Guy! and Sonny Criss Takes on Cole Porter. Still using High, Criss cut In the Crossroads while on tour in Chicago for the Peacock label; the arranged presented Wynton Kelly and was critically well received. The saxophonist continuing to operate, fronting his personal band in LA and gigging with others for short out-of-town jaunts. He authorized with Prestige in 1965 and released a bunch of good recordings, THAT IS Criss! and Sonny’s Desire included in this. Criss also slice various classes for Xanadu, Muse, and ABC/Impulse close to the end of his existence. He dedicated suicide in 1977 because of the unpleasant consequences of belly cancer. His good Crisscraft and From Nowhere albums had been reissued on CDs, as had been his total Imperial recordings.