Eighties performing duo Skipworth & Turner burst around the scene using the catchy dance strike “CONSIDERING Your Like.” Made by Patrick Adams (Musique, Internal Existence, the 1980 strike disco remake “Ain’t Zero Hill High Enough” on Salsoul Information), “CONSIDERING Your Like” strike quantity ten R&B on Billboard’s graphs in springtime 1985. Syracuse, NY-born keyboardist Rodney Skipworth and vocalist Phil Turner, a Memphis indigenous, had been a startling mixture that came collectively at a distinctive period that allowed for the fusing from the duo’s gospel/R&B/spirit influences using the growing MIDI/key pad synthesizer technology, exactly the same synergy that result in the creation of some fascinating, trailblazing music epitomized by such organizations as the Program. Though Skipworth & Turner’s just other charting solitary was “Can’t Provide Her Up” (which Turner shows his amazing falsetto range) at quantity 63 R&B, they documented some outstanding songs that range between smokin’ dance songs to heart-melting ballads. The debut LP Skipworth and Turner, that your duo shared creation credits with Adams and Philly spirit keyboardist/maker Ron Kersey (the Trammps’ “Disco Inferno”), premiered by Warner Bros. in the summertime of 1986. Aside from the two charting singles, the album’s shows are Kersey’s Latin-tinged “Will not Obtain No Better,” “I WANT TO Down Easy,” as well as the instrumental “Nepenthe.” The mid-tempo groover “ALLOW IT TO BE Last,” co-written by Raymond Earl and Kim Miller of Quick Funk, was included on the duo’s Harlem Evenings LP, released by 4th and Broadway. The propulsive “Someday You’ll Get back to Me” offers influences gleamed using their ’80s contemporaries the machine. The sensitive ballad “JUST HOW MUCH Is AN EXCESSIVE AMOUNT OF” was created and made by regular Adams collaborator Leroy Burgess (Dark Ivory, Phreek, Herbie Mann) and originally on Harlem Evenings.