Sixten Ehrling was perhaps one of the most well-known Swedish conductors. He examined violin and piano as a kid. When he got into the Royal Academy of Music in Stockholm he continuing with those equipment and also examined conducting and structure. He pursued performing research in London (with Albert Wolff) and in Paris. He briefly pursued the profession of the concert pianist, but shortly became an helper to Karl Böhm in Dresden while also acquiring performing lessons from him. He came back to Sweden being a coach on the Royal Opera, Stockholm, and produced a performing debut there in 1940. In 1942 he produced his debut being a concert conductor in Göteborg (Gothenburg), shortly resulting in his session as music movie director from the Stockholm Concert Culture. In 1953 he had taken the positioning of primary conductor and music movie director from the Stockholm Royal Opera. Therefore, he showed a pastime in uncommon repertory, and led productions of virtually ignored operas and vivid new works, such as for example Blomdahl’s Aniara, a science-fiction opera that was the initial opera to add digital music interludes. In 1954 he trained the training course for conductors in the Salzburg Mozarteum. He maintained his post on the Stockholm Royal Opera until 1960. On the other hand, in 1963 he been successful Paul Paray as music movie director from the Detroit Symphony Orchestra (through 1973). From that calendar year he took a posture teaching performing at New York’s Juilliard College and regularly performing on the Metropolitan Opera. These organizations lasted until 1987. He was music movie director from the Göteborg Symphony Orchestra (1974-1976), musical adviser and primary guest conductor from the Denver Symphony Orchestra (1978-1985) and creative adviser from the NORTH PARK Symphony (1985-1988).