Offering a hearty bottom for most rings on either bass or tuba, this early jazz player continued to be over the St. Louis music picture his very existence. He first obtained notoriety executing and documenting on tuba with cornetist and vocalist Oliver Cobb from the past due ’20s, including four edges which were cut for Paramount and Brunswick offering the leader’s tries at sounding like Louis Armstrong. Palmer performed bass with pianist Eddie Johnson for the three-year stretch from 1931. Third , he previously a longstanding gig with trumpeter Dewey Jackson through 1941. Then installed with another Midwest trumpeter, George Hudson, an early on member of Sunlight Ra rings and a regular sideman of vocalist Dinah Washington. Palmer performed with Hudson on / off through 1948. Through the past due ’40s, Palmer started picking right up gigs with jazz brands on even more of a nationwide level. He documented using the mumbling trumpeter Clark Terry in 1947, after that hopped on the night time teach of forceful tenor saxophonist Jimmy Forrest another year. This resulted in a stint with among the supreme jazz big rings, Count number Basie. Palmer also documented like a bassist with many blues performers, most noticeably the cantankerous Big Joe Williams aswell as harmonica snorting Sonny Boy Williamson I. He remaining Basie in 1950 to start out up his personal group, the Dixieland Six, also offering trombonist Robert Carter, an alumni from the Duke Ellington music group. This combo gigged frequently in St. Louis in to the ’80s and was the primary regional group keeping the fire burning up for the Dixieland jazz design. He was among several experienced jazz players out of this town that recorded dental background materials for the College or university of Missouri. Due to his constant actions for the St. Louis jazz picture, types of his rings arrive on a number of different compilations that concentrate on this city’s background of swinging noises. Chicago jazz music group the Dixieland Stompers documented a tribute to Palmer, Blues for Singleton Palmer, for the Delmark label back the ’50s.