Home / Biography / simakDialog

simakDialog

Indonesian jazz fusion outfit simakDialog were shaped in Jakarta in 1993 by Riza Arshad, a mainly self-taught keyboardist experienced in a number of styles including jazz, prog rock, and global traditional musics, along with drummer/percussionist Arie Ayunir and electrical bassist Indro Hardjodikoro. Tohpati Ario Hutomo, a traditional and jazz guitarist, also became a member of simakDialog that 12 months — changing the group from a trio to a quartet — and like Arshad became an integral person in the ensemble over another two decades. As the affects of such jazz and fusion pioneers as Kilometers Davis, Pat Metheny, and Climate Report could be easily discerned in the music of simakDialog, the group’s exclusive stylistic meld also pulls from Indonesian gamelan music, as well as the Sundanese kendang, a two-headed drum found in gamelan ensembles, is usually an essential component of simakDialog’s audio. Lukisan, the group’s debut recording, found its way to 1995; the recording presented Arshad on acoustic piano and synthesizers, Tohpati on electrical and acoustic guitars, bassist Hardjodikoro, and drummer Ayunir, who performed a typical Gretsch drum arranged. Nevertheless, Ayunir would depart simakDialog (actually, departing Indonesia and immigrating to america), as well as the group’s 1999 sophomore recording, Baur, noticed Arshad, Tohpati, and Hardjodikoro became a member of by Jalu D. Pratidina, Endang Ramdan, and Erlan Suwardana, most of whom performed the kendang. Suwardana also performed the kethuk, another gamelan outfit instrument, as do yet another contributor towards the recording, Emy Tata, who also offered vocals. This lineup would stay unchanged for simakDialog’s third recording, Trance/Objective, released in 2002, although in most cases new electrical fretless bassist Adhitya Pratama experienced became a member of the group as an alternative for Hardjodikoro the preceding 12 months. With recording releases and event appearances so far mainly focused in Indonesia, the ensemble’s account extended when its 2006 recording, Patahan, documented live the prior year, premiered internationally from the MoonJune label in 2007. The recording featured simakDialog’s primary quartet lineup of Arshad (right now playing Fender Rhodes furthermore to acoustic piano and synthesizer), Tohpati, Ramdan, and Pratama became a member of by guests Tata (on numerous Indonesian percussion devices and vocals/poetry), vocalist Nyak Ina Raseuki “Ubiet,” and Marla Stukenberg (the second option, perhaps surprisingly, inside a German-language poetry reading spoken concurrently having a reading by Tata in Bahasa, the state vocabulary of Indonesia). The favorably received Patahan was accompanied by simakDialog’s second MoonJune recording, Demi Masa, released in ’09 2009. Furthermore to Arshad, Tohpati, Ramdan, and Pratama, the primary lineup today included another kendang participant and percussionist, Erlan Suwardana. Such as previous albums, many guests had been also highlighted, including — once more — longtime contributor Emy Tata. Four years afterwards, simakDialog released their third MoonJune record and sixth general, the appropriately entitled The 6th Tale. The recording, including metallic percussionist Cucu Kurnia along with Arshad, Tohpati, Ramdan, Pratama, and Suwardana, premiered in Sept 2013, the same month simakDialog (with Rudy Zulkarnaen presented on bass) embarked on the tour from the U.S. East Coastline, including looks at ProgDay in Chapel Hill, NEW YORK; Brooklyn’s ShapeShifter Laboratory; Baltimore’s Orion Studio room; and the Manufactured in Indonesia Event in Silver Springtime, Maryland. MoonJune released Live at Orion, a two-disc saving from the Orion Studio room display, in January of 2015. Unfortunately, keyboardist and founding bandmember Riza Arshad passed away on January 13, 2017 at age 53.

Check Also

Harry Ferguson

While there are performers who stoop low more than enough to utilize the name of …

Leave a Reply

Your email address will not be published.