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Sílvio César

A celebrated author of a considerable level of tunes recorded by Elis Regina, Sérgio Mendes, Elizeth Cardoso, João Donato, Ângela Maria, Roberto Carlos, Alcione, Operating-system Cariocas, Cauby Peixoto, Emílio Santiago, Elza Soares, Hermeto Pascoal, Leny Andrade, Jair Rodrigues, and Nana Caymmi, amongst others, Sílvio César had a noted involvement within the group that renovated samba in the 1960s (Orlandivo, César, Ed Lincoln, and Pedrinho Rodrigues). Together with his single discography, César also worked well in Television and movie theater. César became a specialist in 1959 because the crooner from the Waldemar Spillman orchestra. Performing in the historical Beco das Garrafas (Containers’ Alley, a spot of jazz and bossa within the ’50s in Rio) he fulfilled Ed Lincoln, with whom he’d create strikes like “Olhou Pra Mim,” “Nunca Mais,” among others. Within the next yr, he previously his first solitary released with “Máxima Culpa” (Sérgio Ricardo) and “Manhã Sem Adeus” (Luís Bonfá). The very first LP, Amor Demais, arrived in 1961. César made an appearance in some of the very most well-known historical TV shows from the ’60s and ’70s, like Jovem Guarda, O Fino da Bossa, and Essa Noite se Improvisa, amongst others. He also worked well in movies like Na Onda perform Iê-iê-iê (because the author of the soundtrack, with Lincoln, and in addition as an acting professional) and Mineirinho/Vivo ou Morto (composing the soundtrack). His “Mônica” and “Se Tiver De Ser” (both with Lincoln) had been included on the soundtrack from the film Na Onda perform Iê-iê-iê (Aurélio Teixeira). In 1974, his “O Moço Velho” was re-recorded by Roberto Carlos within the same yr. César wrote many tunes included on main TV Globo cleaning soap opera soundtracks, such as for example “Levante Operating-system Olhos” (Duas Vidas, 1975), “Agarre Seu Homem,” with Ronaldo Bôscoli (Te Contei?, 1978), and “A Mais Antiga Profissão” (O Jogo da Vida, 1981). His albums Aos Mestres Com Carinho (1992) and Aos Mestres Com Carinho/Vol. 2 (1994) had been filled up with MPB classics and experienced the involvement of Tom Jobim, Chico Buarque, Leny Andrade, Emílio Santiago, Nonato Luiz, and Quarteto em Cy, amongst others.

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