Silvinha Telles

Perhaps one of the most important bossa nova performers, Silvinha Telles had achievement with several immortal classics from the genre, want “Corcovado” (Tom Jobim), “Se é Tarde me personally Perdoa” (Carlos Lyra/Ronaldo Bôscoli), “Amor em Paz” (Tom Jobim/Vinícius de Moraes), “Insensatez” (Tom Jobim/Vinícius de Moraes), “Você” (Roberto Menescal/Ronaldo Bôscoli), “Balanço Zona Sul” (Tito Madi), “Preciso Aprender a Ser Só” (Marcos Valle/Paulo Sérgio Valle) and “European union Preciso de Você” (Tom Jobim/Aloysio de Oliveira), amongst others.Mother from the vocalist Cláudia Telles, Silvinha Telles debuted seeing that a specialist in 1955 in the revue Gente de Bem e Champanhota, staged on the Follies movie theater (Rio de Janeiro), using the melody “Amendoim Torradinho” (Augusto Garcez/Ciro de Souza). The melody was documented by her in the same calendar year as well as “Desejo” (Garoto/José Vasconcelos/Luís Cláudio). Her following 78 rpm is known as among the bossa nova forerunners, with “Menina” (Carlos Lyra) and “Foi a Noite” (Tom Jobim/Newton Mendonça). With her hubby Candinho she hosted the program Música e Love (at Television Rio), with guests like Johnny Alf, Tom Jobim, Billy Blanco, Dolores Durán and Garoto. In 1957 she acquired her first lengthy participant released, Carícia, with “Chove Lá Fora” (Tito Madi), “Se Todos Fossem Iguais a Você” (Tom Jobim/Vinícius de Moraes) and “Canção da Volta” (Ismael Neto/Antônio Maria). In 1958 she performed on the Grupo Universitário Hebraico (Rio), among the essential displays preceding the bossa nova increase, with Carlos Lyra and Roberto Menescal, amongst others. Sílvia (1959) acquired “Estrada perform Sol” (Tom Jobim/Dolores Durán) and “Mágoa” (Tito Madi). Amor de Gente Moça (in the same calendar year, the record that brought her the definitive consecration) acquired several music by Tom Jobim: “Só em Teus Braçoperating-system”, “A Felicidade” (with Vinícius de Moraes), “Sem Você” (with Vinícius de Moraes) and “O Que Tinha de Ser” (with Vinícius de Moraes). Also in 1959 she participated in the historical I Celebration de Samba Program, at he structures school from the condition school of Rio de Janeiro (Faculdade Nacional de Arquitetura). In 1961 she visited the U.S., where she documented Silvia Telles USA (with “Canção que Morre no Ar”, by Carlos Lyra/Ronaldo Bôscoli, and “Manhã de Carnaval”, by Luís Bonfá/Antônio Maria), made by Aloysio de Oliveira, whom she wedded two years later on. Among her top displays was O Remédio é Bossa (1984), in the Paramount theatre (São Paulo), with Tom Jobim, Operating-system Cariocas, Alaíde Costa and Carlos Lyra. Having performed in 1966 in Germany, he passed away in the same yr in a vehicle accident in Rio de Janeiro when she was going to go back to the U.S.