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Sigiswald Kuijken

Sigiswald Kuijken is a pioneer in performing and teaching Baroque violin technique. He and his brothers had been all subjected to early musical instruments as young people. Sigiswald and Wieland intuitively trained themselves how exactly to play the viola da gamba. Sigiswald researched violin on the conservatory in Bruges, after that in Brussels with Maurice Raskin, getting his level in 1964. After carrying out his very own analysis into Baroque efficiency practice, Kuijken started playing Baroque functions on the violin without needing a chinrest or make rest and, actually, not really using his chin in any way to carry the device. He started teaching this technique, yet others quickly followed it. Kuijken performed using the Alarius Outfit between 1964 and 1972, and in the encouragement from the Deutsche Harmonia Mundi label and Gustav Leonhardt, founded his personal orchestra, la Petite Bande, to execute Baroque and Classical functions. He has journeyed throughout Europe, THE UNITED STATES, Australia, China, and Japan with la Petite Bande, and collectively they have documented functions by Lully, Pergolesi, Mozart, Haydn, Bach, and Geminiani. He also undertook even more independent tasks with others, such as for example his brothers Wieland and Barthold, Gustav Leonhardt, Robert Kohnen, Anner Bylsma, Frans Brüggen, and René Jacobs. In 1986, he and his sibling Wieland founded the Kuikjen String Quartet with François Fernandez, Marleen Thiers, and occasionally became a member of by violist Ryo Terakado, particularly to execute Classical period quartets and quintets. That same 12 months, Kuijken carried out the inaugural concert in London from the Orchestra of age Enlightenment. Kuijken trained Baroque violin in the Koninklijk Conservatorium in The Hague (1971-1996) with the Koninklijk Muziekconservatorium in Brussels (since 1993). He’s frequently invited to instruct in the Royal University of Music in London, Salamanca University or college, as well as the Accademia Chigiana in Siena, among additional colleges. In the past due 1990s, he started doing even more conducting of contemporary orchestras in functions of Mendelssohn, Schumann, and Brahms. Ongoing tasks are the sonatas of Mozart, plus Mozart’s and Debussy’s chamber music along with his brothers, and Bach’s cantatas with La Petite Bande between 2006 and 2012.

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