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Siegel-Schwall Band

Paul Butterfield and Elvin Bishop weren’t the only real white dudes who formed a blues music group in Chicago in the first ’60s. Corky Siegel and Jim Schwall created the Siegel-Schwall Music group in the middle-’60s in Chicago and worked well like a duo playing blues night clubs like Pepper’s Lounge, where these were the house music group. All the great blues players would sit down in, on a regular basis. Siegel performed harp and electrical Wurlizter piano, with an abbreviated drum arranged stashed beneath the piano; Jim Schwall performed electric guitar and mandolin. Both sang. Siegel was created in Chicago on Oct 24, 1943; Schwall was created on November 11, 1942, also in Chicago. Siegel fulfilled Schwall in 1964, if they had been both music learners at Roosevelt College or university; Schwall studying electric guitar, Siegel studying traditional saxophone and playing within the College or university Jazz Big Band. Siegel initial became thinking about the blues that same season. Schwall’s background went more to nation and bluegrass. The Siegel-Schwall Music group method of music (and blues) was lighter than groupings like Butterfield or Musselwhite, representing relatively even more of a fusion of blues and much more country-oriented materials. They seldom performed at high quantity, stressing group co-operation and writing the solo limelight. Once the Butterfield music group still left their in gig at Big Johns on Chicago’s North Aspect, it had been the Siegel-Schwall Music group that got their place. Agreed upon by Vanguard scout Sam Charters in 1965, they released their initial record in 1966, the to begin five they might do with this label. Bass participant Jack Dawson, previously of the Perfect Movers Blues Music group joined the music group in 1967. In 1969 the music group toured playing the Fillmore Western world, blues/folk festivals, and several club dates, as you of many white blues rings that released the blues genre to an incredible number of Americans throughout that era. These were, however, the very first blues music group to try out with a complete orchestra, executing “Three Parts for Blues Music group and Symphony Orchestra” in 1968 using the SAN FRANCISCO BAY AREA Orchestra. The music group later agreed upon with RCA (Wooden Nickel) and created five albums within the next many years. They split up in 1974. In 1987, the music group re-formed and created a live record on Alligator, The Siegel-Schwall Reunion Concert. Jim Schwall is really a university teacher of music and lives in Madison, Wisonsin. Corky Siegel continues to be involved with many projects over time that fuse traditional music with blues, including his current group, Chamber Blues, a string quartet using a percussionist (tabla) and Siegel on piano and harmonica. And on uncommon occasions, the outdated music group still gets jointly and performs.

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