Ustad Shujaat Khan stands at the top of an extended line of grasp musicians and it is today’s leading proponent of the Imdadkhani gharana (custom) of sitar taking part in. Seventh in a continuing thread of recognized instrumentalists, Ustad Shujaat Khan’s legacy contains some of the most venerable numbers in Indian traditional music: great-great grandfather Ustad Sahabdad Khan, great-grandfather Imdad Khan, grandfather Inayat Khan, and dad Vilayat Khan. From Ustad Sahabdad Khan’s essential addition from the tarab (sympathetic strings) towards the sitar, to Vilayat Khan’s advancement of the gayaki ang (vocal taking part in design) and amazing melding of specialized, melodic, compositional, improvisational, and rhythmic artistry, Ustad Shujaat Khan’s family members legacy is usually undeniably impressive. Good ancient idea of khandan, whereby a father’s position is passed on to the 1st given birth to male, Ustad Shujaat Khan was groomed for achievement by his dad and expert, Vilayat Khan. At age three, Ustad Shujaat Khan started playing on the tailor made mini-sitar beneath the professional tutelage of his dad. By age six the kid prodigy was providing highly successful general public concerts. After that, Ustad Shujaat Khan has truly gone to perform within the world’s most significant locations, Royal Albert Hall and Carnegie Hall included in this. Relative to the Imdadkhani Gharana founded by his great-grandfather as well as the gayaki ang innovated by his dad, Ustad Shujaat Khan is usually celebrated for his elegant usage of meend (glissando), lyrical sensibility, mastery of technique, and euphonious firmness. Ustad Shujaat Khan was a going to professor within the Ethnomusicology Division at UCLA.
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|Ramad||2017||original music by|
|Mr. Singh/Mrs. Mehta||2010||as Ustad Shujaat Hussain Khan, original music score|
|Mr. Singh/Mrs. Mehta||2010||playback singer - as Ustad Shujaat Hussain Khan|
|The Second Best Exotic Marigold Hotel||2015||performer: "Shwas-Uchhashwas/The Beginning" - as Shujaat Khan|
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