After quitting school to enter a musical contest, J-Pop singer Shena Ringo was quickly signed to EMI, after that promptly still left Japan in order to avoid the trappings of contract function. After coming back, she quickly released some singles and albums, all self-penned (a member of family rarity for Japanese pop performers), and everything ending up in great achievement on japan graphs. A hiatus to start out a family adopted, itself adopted (following a divorce) by both a fresh recording and a fresh side task, the music group Tokyo Jihen. After even more success using the music group, Shena returned to some solo profession in 2006, quickly acquiring the main slot around the Oricon graphs using the recording Heisei Fuuzoku released in tandem with a significant soundtrack project. Pursuing was a B-sides recording which peaked quickly at the main Oricon slot machine. Despite being mixed up in main J-Pop picture, Shena has generated a distinct segment for herself predicated on a very much wider musical range than most performers. Where most pop performers develop a fundamental sound predicated on modern pop looks and throwaway lyrical matter, Shena builds on the bottom of jazz, rock and roll, Motown, and also French chanson similarly well (the chanson functions specifically well with her brand sinus delivery), infusing her tasks with an extremely different visual, and attaining a group of fans separate through the core constituents from the J-Pop apparatus.