British soprano Sheila Armstrong primarily produced her name in her personal country, but mainly with work by Italians. Her specialties had been Rossini and Donizetti, aswell as Mozart. She was even more flexible than that, though, within a specific stylistic range. Armstrong discovered achievement in Purcell’s Dido and Aeneas (where she produced her Glyndebourne Event debut in 1966) and Beethoven’s Fidelio (her Covent Backyard debut in 1973), and documented English music, specifically that of Vaughan Williams and Britten. She also toured European countries, THE UNITED STATES, and Asia like a concert vocalist. Armstrong analyzed at London’s Royal Academy of Music, and received the Kathleen Ferrier Memorial Scholarship or grant in 1965. She produced her operatic debut that 12 months as Despina in Mozart’s Così lover tutte at London’s Sadler’s Wells Theater. She retired in 1993 in the pretty early age group of 51. Regrettably, technical issues sabotaged her farewell. At a televised concert marking the 900th wedding anniversary from the founding of Durham Cathedral, it crew prohibited the usage of microphones for amplification in the cathedral, declaring that they might block the video cameras’ view lines. Because of this, many members from the target audience couldn’t hear Armstrong obviously, and strolled out in disappointment.