Texas-based singer, songwriter, and guitarist Shawn Pittman attended the Albert King/Jimmie Vaughan school of blues guitar playing. He’s not really flashy, and he realizes the areas between the records are as essential as the records themselves. Build and melody are simply as vital that you Pittman’s thought process, as fast and flashy works along the guitar throat. By enough time he was 28, Pittman acquired documented and released three albums that display mostly his very own original material, sometimes reinvigorating the task of others, such as for example his cover of Bob Dylan’s “IT REQUIRES too much to Laugh, IT REQUIRES a Teach to Cry” on his 2001 discharge, BACK TO WHERE IT STARTED. Pittman was created and elevated in Oklahoma, where his first musical memories had been hearing his dad and grandfather’s record series, which included great people like Pal Holly and Chuck Berry. His grandmother was a boogie-woogie piano participant and his grandfather performed country electric guitar. His first blues heroes had been Jimmy Reed and Lightnin’ Hopkins. Hearing both of these for the very first time was a surprising rvelation for the youthful, impressionable Pittman. He started acquiring piano lessons at age group eight and trapped with that until he was 15, experimenting a little with saxophone and drums before buying guitar. Pittman found its way to Dallas in 1992 for his this past year of senior high school and went to the Booker T. Washington SENIOR HIGH SCHOOL for Performing and Visible Arts. Soon after this, he jumped directly into Dallas’ still-bustling blues golf club scene, seated in with and befriending music artists like Anson Funderburgh, Hash Dark brown, Mike Morgan, Tutu Jones, Tag Pollock, and Andrew “Jr. Boy” Jones. Becoming schooled by among the better players around Dallas and Fort Well worth, Pittman became a multi-dimensional guitarist who right now enjoys playing tempo in addition to lead acoustic guitar. Pittman matters among his affects people like Lightnin’ Hopkins, Hound Puppy Taylor, Mike Morgan, and undoubtedly, Jimmie and Stevie Ray Vaughan, who arrived from the Dallas golf club picture before they shifted to Austin, individually, in the past due ’70s. Pittman documented two discs for the now-defunct Cannonball Information label, Burnin’ Up in 1997, as well as the Jim Gaines-produced Something’s Gotta Surrender 1998. After spending another two years fighting some personal and professional demons, like the early shutting of Minneapolis-based Cannonball Information, Pittman shifted to Austin, got his work alongside the help of two bassists, Tommy Shannon and Preston Hubbard, and released the relatively autobiographical BACK TO WHERE IT STARTED, a 2001 launch by himself Shawn Pittman Music label from Austin. BACK TO WHERE IT STARTED was also made by Jim Gaines. Of his three produces, Something’s Gotta Provide and BACK TO WHERE IT STARTED showcase an adult songwriter with something to state, deep, tone-conscious acoustic guitar playing, and an excellent voice. On BACK TO WHERE IT STARTED, Pittman is supported by a brief who’s-who of Austin-area music artists, including Tommy Shannon and Chris Layton from Stevie Ray Vaughan’s Two times Problems on bass and drums, in addition to Riley Osborne on Hammond B-3 and keyboards.
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