Sergey Protopopov

Sergey Protopopov was the principle proponent of the compositional strategy devised by Kiev-based theorist Boleslav L. Yavorsky. Released in book type as Framework of Musical Talk in 1908, the technique utilized modal tempo as its basis, in conjunction with the uncertain harmonic draw from the tritone. Modal speech-rhythm, as Protopopov known as it, is certainly an in depth kin to the overall style and methods utilized by Russian composer Alexander Scriabin in his past due works. Protopopov’s strategy, especially when used in low passages, can be clearly educated by the task of Mussorgsky, specifically such items as “The Witches’ Hut on Fowl’s Hip and legs” from Photos at an Exhibition. After completing a term in the faculty medical college at Moscow, Protopopov analyzed under Yavorsky, and required his degree from your Kiev Conservatory in 1921. Protopopov was primarily referred to as a conductor who caused various orchestras through the entire U.S.S.R. His diminutive catalogue includes only 11 functions dating from 1917 to 1931. Protopopov’s important pieces will be the Three Piano Sonatas Opp. 1 (1920 – 1922), and 5-6 (1924 – 1928). The amount of pianism needed in these functions is definitely extreme, towards the extent the scores require notes beyond the typical selection of the key pad. A lot of Protopopov’s piano music is definitely created on three staves, instead of two. Protopopov cherished sequences and sometimes used these to solitary harmonic complexes. As many of these complexes derive from the tritone; this prospects to prolonged passages of suspended harmonic motion. The result of it really is similar compared to that of advanced rock rock and roll music, a coincidental resemblance that’s punched up by Protopopov’s propensity to utilize short, recurring rhythmic products over very long periods. Protopopov also used unbarred procedures, birdcall like statistics that anticipate the task of Messiaen as well as marked one passing in the 3rd Sonata “dolce, indeterminato.” The others of Protopopov’s known result includes Russian language music, mainly on Pushkin text messages. An individual chorus of folk melody agreements credits Boleslav Yavorsky as co-composer. In 1930, Protopopov provided his tips at a Soviet meeting on the idea of Modal Tempo chaired by music commissar Anatoly Lunacharsky, and was favorably received. This allowed for the publication of Protopopov’s life’s function, a two-volume extension upon Yavorsky’s theories entitled Components of the Framework of Musical Talk. This theoretical treatise also addresses Protopopov’s curiosity about microtonal music, and Protopopov proposes a 72-pitch range. Nevertheless, in 1931 another Soviet music meeting happened that announced “Modal speech-rhythm” unlike the needs from the trend. His theory discredited, Protopopov appears not to possess written another notice of music. Protopopov done the faculty from the Moscow Conservatory, departing in 1943. Afterward, small if anything is well known of Protopopov’s existence until see of his loss of life is definitely given at age group 61 in 1954.