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Sarah Graham

Sarah Graham is among the leading brand-new singers from the 1990s. She went to the Manhattan College of Music, and released her profession by earning the Metropolitan Opera Country wide Council Auditions. Taking part in the SAN FRANCISCO BAY AREA Merola Opera, she gained its Schwabacher Prize (which resulted in a professional functionality debut in the Schwabacher Debut series), and in addition has gained a career advancement grant for performers in the Richard Tucker Base. Graham is normally a mezzo-soprano and sings the cornerstone operatic repertoire assignments for that tone of voice: Octavian in Rosenkavalier, Cherubino in The Relationship of Figaro, Charlotte in Werther, Meg Web page in Falstaff, The Composer in Ariadne auf Naxos, and Dorabella in Così enthusiast tutte amongst others. She is especially known on her behalf French repertoire, specifically Berlioz. Besides Marguerite in his Damnation of Faust, she’s appeared often in the composer’s Béatrice et Bénédict (as Béatrice). She debuted at Covent Backyard in the name function of Massenet’s Cherubin, the sequel to Relationship of Figaro, provides earned wide acclaim as the kid in Ravel’s L’Enfant et les Sortiléges. Graham can be popular for Classical-era and previous operatic repertory. Functions consist of Annio in Mozart’s La clemenza di Tito, Minerva in Monteverdi’s Il ritorno d’Ulisse, in the same composer’s L’Orfeo, and in another Monteverdi opera, Arianna, in the globe premiere of its reconstruction by English composer Alexander Goehr. She actually is widely acclaimed on her behalf concert shows of Berlioz’s Les nuits d’été, which she’s documented with John Nelson as well as the Vienna Philharmonic within an acclaimed all-French disk. Talking about that disk, Gramophone magazine explained her tone of voice as “company yet vibrant, obvious however warm.” Her 1998 launch of tunes of Reynaldo Hahn (a French track author of the years right before 1900) received the 1999 Caecilia Reward, the Choc du Monde de la Musique, the Opera International “Timbre de Platen” award, as well as the Deutschen Schallplattenkritik Reward. She has made an appearance using the leading symphony orchestras of London, NY, Boston, Lyons, LA, Amsterdam, Tokyo, Philadelphia, and St. Louis, and made an appearance with lots of the leading conductors. Her symphonic repertoire contains Mahler’s 4th Symphony and Rückert Lieder, Schumann’s Moments from Faust, and Nuits d’été. The best opera homes and celebrations where she’s appeared are the Met, Covent Backyard, the Lyric Opera of Chicago, Santa Fe, the Opera Theatre of St. Louis, the Vienna Condition Opera, Paris Opéra, the Welsh Country wide Opera, L’Opéra de Lyon, as well as the Salzburg Festival.

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