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Sara Mingardo

Italian singer Sara Mingardo is known as among the greater essential contraltos of her generation. Her repertory is definitely broad, encompassing functions by composers from Monteverdi to Britten, though she’s scored a few of her very best successes in operas and sacred music from the Baroque. Mingardo was created in the Venetian suburb of Mestre. Though she shown musical talent in early stages, she didn’t develop quickly: after research in Venice in the Benedetto Marcello Conservatory and in Siena in the Academia Chigiana, she produced her established operatic debut in Italy just in 1987, in Cimarosa’s Il matrimonio segreto, performing Fidalma. Pursuing that achievement she sang Cinderella in the eponymous Rossini opera, in Treviso and Rovigo, in 1988. It had been for the reason that Treviso work that she received 1st reward in the annual Toti Dal Monte competition. Her additional competition successes are the Giulietta Simionato Reward in the 23rd Vienna Competition. Some of Mingardo’s looks up to 1989 had been at second-tier operatic locations, she began producing her breakthrough in the main sites in Italy thereafter, including La Scala and San Carlo. In 1995 she produced her initial documenting (on Polygram Information), performing the title personality in Handel’s Riccardo Primo, led by Christophe Rousset. This implemented her official worldwide debut for the reason that function, in Fontevraud, France. She reprised this same function later on on the International Celebration of Baroque Music in Bonn with the Théâtre des Champs-Élyséha sido in Paris. From then on 1995 French debut, she made an appearance regularly at many other main worldwide locales: under Claudio Abbado, she sang Emilia in Verdi’s Otello on the 1996 Salzburg Celebration. Her U.S. debut was on the 2000 Santa Fe Opera Festival creation of Rossini’s Ermione, where she sang Anromaca. Mingardo is rolling out a strong worldwide following over time and has hence experienced demand on recordings. Two single albums made an appearance in 2003 and 2004, respectively, over the Opus III label. The initial, entitled Sara Mingardo, highlighted functions by Pergolesi, Vivaldi, Scarlatti, and Handel, and the next, functions by Monteverdi, Vivaldi, Handel, among others. Various other recordings consist of Monteverdi’s L’Orfeo, Vivaldi’s Stabat Mater and Armida, Pergolesi’s Stabat Mater, and Verdi’s Falstaff. Her 2002 documenting of Berlioz’s Les Troyens gained a Gramophone Award and Grammy Honours for Greatest Opera Documenting and Greatest Classical Album.

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